A Quote by Roy Clark
We didn't burn out. We were fresh. So when you go through the 13 shows, that was it until the next time. That way, you went out and did your concerts and things, and you were ready to go again.
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I rememeber one time we were getting ready to go to South America and everything was packed up and in the car ready to go and I hid and I was crying because I really did not want to go, I wanted to play. I did not want to go.
The first year with ABT I learned 13 new roles. Most were lengthy ballets, more complicated than I was used to. I have suffered from tendinitis since I was 13, and it flared up again until the pain was paralyzing. There were times I prayed I'd be sick so I wouldn't have to go on.
Nobody cares what anyone did last year, whether you were good, whether you were bad, everybody has ambitions and aspirations for this year. But it really doesn't matter until you go out there and prove it and you go out there and do it.
His last 2 shows in the U.S. were in Chicago and St. Louis. I don't know what made me go on the trip with him, but I'm so very glad I did. They were two of the finest concerts I've ever seen.
We were having so much fun that once we were through each day, Tom, Gwen, and I would go, 'OK, let's go out and join all our friends at a dance club now.' And we would do this daily - go out and have a few drinks and dance the night away and at the end of the night go, 'OK, I'll see ya tomorrow at two o'clock, let's do it again.'
A fellow must know where he wants to go, if he is going to get anywhere. It is so easy just to drift along. Some people go through school as if they thought they were doing their families a favor. On a job, they work along in a humdrum way, interested only in their salary check. They don't have a goal. When anyone crosses them up, they take their marbles and walk out. The people who go places and do things make the most of every situation. They are ready for the next thing that comes along on the road to their goal. They know what they want and are willing to go an extra mile.
Think about last time you were broke ... now how well did it go with spending your way out of it? Did that work?
When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.
Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.
When I was 13 they were saying your album won't come out until your sweet 16. I felt really frustrated because that felt like forever from then and I felt like I was ready then. Looking back I wasn't ready.
My coach in college always told me, 'You don't go out there to win lackadaisical, you don't go out there to win by one point, you don't go out there to coast through - you go out to dominate. You impose your will on a man.' And he was my fight coach for a little bit, too, and I did the same thing.
I've wanted to go out with you from the first moment I saw you. I just had to wait until you were ready.
Jesus teaches us another way: Go out. Go out and share your testimony, go out and interact with your brothers, go out and share, go out and ask. Become the Word in body as well as spirit.
I tell my students all the time is, for better or worse, no publisher is going to come wrench your story out of your hands before you're ready to let it go. You will have time to take stuff out. You don't have to show it to anybody. That's what I did.
Live concerts were to train the ears and to introduce, constantly, new musical ideas to the audience so the next time they showed up or the next record they would be ready and receptive.
There's a long history of people who spent that $300,000 on their first film and weren't quite ready, and then they never did it again 'cause they were out of synch with where they were, and they would never raise that money again.
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