A Quote by Roy Clark

Humor is a blessing to me. My earliest recollections are of looking at something and seeing the lighter side. But it's always spontaneous. I couldn't write a comedy skit for someone else.
My earliest recollections are of the teeming East Side where I was born. This Hester Street and its surrounding streets were the most densely populated of any city on Earth; and looking back at it, I realize what I owe to its unique and crowded humanity.
It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.
It requires a lot of courage for someone to cast me in something else. I am just hoping that someone sees something else in me other than comedy.
Every black film feels like it's Tyler Perry, and that just needs to stop. But people seem to slowly be looking for what else is out there - 'Is there something else besides this type of humor?' 'I'm tired of seeing men in dresses.'
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
Personally I am always looking for God to show me where He would like me to give or make a difference in someone else’s life. I wake up every day and ask God how He would like me to be a blessing to someone that day.
Just remember, Someone is on your side (our side) Someone else is not While we're seeing our side Maybe we forgot: they are not alone. No one is alone.
My approach to comedy is that whenever it comes to me, I write it. With 'The Daily Show,' you have to write stuff every day, and that's a new experience for me, to not only write on someone else's schedule but a daily schedule.
People who know me , they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.
People who know me, they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.
I never utter my real feelings about anything. My lighter, superficial side will always be too quick for the deeper side of me, and that's why it always wins.
I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.
I grew up in a family that was very barbed and difficult, and there was a lot of humor. None of it was painless humor. All of it was at someone else's expense. It was kind of always about power.
I've always thought that the balance between the side of my mind that knows what it is doing and the side that really hasn't got a clue has to be carefully maintained because if you write too knowingly then you get chilly, and if you write too unknowingly you write bollocks that nobody else can understand.
I love the opportunity to use my full range, and so playing in the comedy 'Black-ish' gives me the opportunity to show my lighter side, and playing in this beautiful, elegant horror story of 'Hannibal,' I get to use my darker and more cerebral side. It's really wonderful.
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