A Quote by Roy Conli

I have worked with several art directors and production designers who are just magnificent. Dave Getz, Paul Felix, Ian Gooding... just amazing artists, and I would say, if I had anything to do with it, I just pick good artists!
There's no such thing as sculpture or art or anything, it's just a bit of - it's just words, you know, and actually saying everything is art. We're all art, art is just a tag, like a journalists' tag, but artists believe it.
For the kid in me that had a rockier edge and wanted to be Stevie Nicks, it's been fulfilling that I've met Dave Navarro and Dave Grohl, these amazing artists that have given encouragement.
While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'
I would have conversations with European artists. Meaning, people look at my painting and one person would say, "Oh, your painting is just like so-and-so!" Another person would say, "It's just like so-and-so." But at the end, it's a chain of relay like a marathon. There are so many so-and-so's that eventually it becomes mine. My dialogue was completely European, with the '40s, '50s, '60s artists, but on the exterior side I do big painting. It's post-Pollock. It's current. It's a meeting of the time. The Chinese side just comes out.
I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I worked with great, brilliant directors. I've been so lucky. It's terrible to compare anyone, because you can't. But I can just tell you that this experience was just a truly magnificent experience for everyone involved.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
We get better product when the focus is on the fans and the artists - all artists; musical artists; singers, the graphic designers, the painters, the DJs, I mean everybody, the writers. We can't allow ourselves to feel as if we're not important in the equation when we are everything!
I gotta say, the Catholic Church has churned out a lot of great artists and directors and actors, so if that's all they do, that's fine by me. If they're good at churning out tortured artists, that's great!
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
I don't aestheticize anything. I don't even use lights. The working girls do one thing all day: They make themselves pretty. That's their job and their money. In a way, I had the best makeup artists, hairdressers, and art designers in the world.
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