A Quote by Roy DeCarava

The artist creates the material that we look back upon as part of history. — © Roy DeCarava
The artist creates the material that we look back upon as part of history.
I think one artist to another artist, the best compliment you can pay one another, because the part of you that is inspired or creates something, to write a joke or a song, that's like the God-like part of a person.
I'd rather have people really be able to step back and get their money's worth and look at me as a true artist than somebody who is just regurgitating other material.
While medicine creates material for writing, perhaps even more important is that it also creates a psychological and emotional need to write.
Look at what Billy Graham has done, he's a legend. He would never tell you that, but look at the history, all the way back to the L.A. Crusades in the 50s, all around the world, starting a youth night in 94 that I got to be such a huge part of. This guy has changed the world with the gospel.
We're creators by permission, by grace as it were. No one creates alone, of and by himself. An artist is an instrument that registers something already existent, something which belongs to the whole world, and which, if he is an artist, he is compelled to give back to the world.
I think certain periods of history don't get dealt with because I think historians, and it's their job, but they look back and look for patterns. They look for sequences and they look for reasons, and certain periods of history don't fit with the general pattern of 1500 to the 20th century, during which there's the creation of the United States.
You want to be able to look back and feel you were part of Liverpool's great history - win something here, and they will always remember you.
If you look back through history, you'll see that God, in any form - Jesus, Buddha, Mohammed - has always wanted prosperity for everyone. There was a recognition of the need to integrate our material and spiritual lives. But that message was distorted by various leaders with their own agendas.
All the evidence of history suggests that man is indeed a rational animal, but with a near infinite capacity for folly. . . . He draws blueprints for Utopia, but never quite gets it built. In the end he plugs away obstinately with the only building material really ever at hand--his own part comic, part tragic, part cussed, but part glorious nature.
I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.
A king or a prince becomes by accident a part of history. A poet or an artist becomes by nature and necessity a part of universal humanity.
An artist is an artist because he is not happy with the world, so he creates his own existence.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
All you can do as an artist is do what you think is an extension of you. You put down on paper ... who you are. That's what being an artist is all about. And when it gets done, you don't look back at it and say, Oh, I could have done that better.
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