A Quote by Roy H. Williams

A portal is a transitionary device of sight or sound that functions as a sort of third gravitating body between the this and the that, pulling us toward itself, allowing us to bridge into the unknown from the known.
From the fear and constriction that's sort of always pulling us back and keeping us in old modalities, I feel like any expansive act of kindness, thoughtfulness, and generosity, helps tip the scale toward a more conscious, liberated existence for everyone.
It feels like we have two threads running through our lives: one pulling us into the world to achieve, the other pulling us back to replenish us. These threads can seem at odds, but really, they enforce each other. It's not a trade-off between success and sleep.
God chose us to live both in body and in soul, but the body functions for the sake of the soul more than the soul functions for the body.
If I gravitate toward someone, I bridge the gap between us somehow, and I accidentally maybe start seeing the world through their eyes.
The impresario functions as a bridge and a translator. He or she is a bridge between the creative point of view - which is often very focused on the creative task itself - and the resource-allocation process. The impresario has to make certain the funds and people required to get that task completed are available.
Let us not give up. Let us be true to our covenants. Let us never lose sight of our Advocate and Redeemer as we walk toward Him, one imperfect step after another.
Life takes us by surprise and orders us to move toward the unknown -even when we don't want to and when we think we don't need to.
Mercy is what moves us toward God, while justice makes us tremble in his sight.
Good design is also an act of communication between the designer and the user, except that all the communication has to come about by the appearance of the device itself. The device must explain itself.
God is watching us, but He loves us so much that He can't take His eyes off us. We may lose sight of God, but He never loses sight of us.
In the home we make certain distinctions about functions of rooms and corridors; we do not deliver the groceries straight into the baby's crib. In hospitals we do not take the food trolleys right through the operating chamber, and we rarely have the recreation room next to the convalescent room. We sort out the functions. We have to sort out the functions of the city and the streams of traffic and re-create arterial systems that allow us to breathe ... the shape, pattern and sense of community which you expect if it were a home.
I think something for us that we're always interested in is how people interpret the music or the band for themselves, and that sort of level of interactivity for us specifically is really awesome, but I can imagine for some bands the ability to make your sound and make your identity known could be challenging.
And I have been able to give freedom and life which was acknowledged in the ecstasy of walking hand in hand across the most beautiful bridge of the world, the cables enclosing us and pulling us upward in such a dance as I have never walked and never can walk with another.
Somewhere between a third and a quarter of all people living in America today were born between 1946 and 1965 and if you think you're tired of hearing about us, you should try being one of us.
As long as a thing is unknown, it belongs to us in a way that well-known things do not. For we have the opportunity to fill the empty, unknown spaces for ourselves, and in them there is room for imagination and for hope.
It is characteristic of spontaneous friendship to take on first, without enquiry and almost at first sight, the unseen doings and unspoken sentiments of our friends; the parts known give us evidence enough that the unknown parts cannot be much amiss.
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