A Quote by Roy Hibbert

I think I'm going to be taking some voice lessons because I'd like to do a voice in a video game. Something like 'Call of Duty.' — © Roy Hibbert
I think I'm going to be taking some voice lessons because I'd like to do a voice in a video game. Something like 'Call of Duty.'
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.
I had always wanted to lend my voice to a character. I did a voice for this video game, called 'Fallout 3,' and that was really fun.
Garbage. It's a natural quality of huskiness in the midrange of my voice that I call 'garbage.' It's not a clear-toned announcer's voice. It's more like the voice of the guy next door.
People buy a game because they like the game and they want to play the game. And there are certain characters in games that people like, obviously. I don't know if a certain character's voice or lack of a certain character's voice can cause somebody to buy or not buy a game.
Originally when I went off to work on 'The Lord of The Rings' I got a call from my agent saying that I was just going to do a voice. But I couldn't really approach it like that. To get Gollum's voice I had to play the character.
I actually don't play any new video games except 'Call of Duty.' I'm addicted to 'Call of Duty.' It's the only game I need.
Sometimes it's like that. I go, 'You know what? I'm going to just change scales. I'm going to even change instruments. And I'm going to go into the chromatics of the Spanish language,' and I do. You know, the poem is totally different. It's like a lunar voice versus a day voice, a solar voice.
Ah, sinner, may the Lord quicken thee! But it is a work that makes the Saviour weep. I think when He comes to call some of you from your death in sin, He comes weeping and sighing for you. There is a stone that is to be rolled away--your bad and evil habits--and when that stone is taken away, a still small voice will not do for you; it must be the loud crashing voice, like the voice of the Lord which breaketh the cedars of Lebanon.
I've been into Sonic Youth since junior high school. I think I kind of have ADD, so it's good music for ADD because it just throws you in different directions all the time. I really like Kim Gordon's voice and Thurston Moore's voice, and I like the guitars going off on tangents.
I would very honestly just tell you that what I tried to do was simply respond to inquiries from people as they came in. Where I've thought I could say something useful, I've tried to add a voice that was, frankly, a dissident voice earlier on, but one that I think has become a more mainstream voice-and not because I've shifted. I think that the critique I had of what was going on in our financial system from six, eight years ago-after seeing some of what we've suffered through and even since the cataclysm itself-in terms of the structural changes.
I know what it was like to not have a voice, so my daughter has a voice. I veto that voice when needed because at the end of the day I am the grown-up, but I hear her.
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