A Quote by Roy Hodgson

I like Philip Roth, John Updike, and Richard Yates. — © Roy Hodgson
I like Philip Roth, John Updike, and Richard Yates.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.
Roth Unbound is filled with intelligent readings and smart judgments. Because of the author's sympathy and sharp mind, it offers real insight into the creative process itself, and into Philip Roth's high calling as a great American artist. The book is, in some ways, a radical rereading of Roth's life and his work. It is impossible, by the end, not to feel a tender admiration for Roth as a novelist and indeed for Claudia Roth Pierpont as an empathetic and brilliant critic.
Philip Roth has made a cottage industry of unlikable characters, but compared with Mickey Sabbath, the furious and profane protagonist of 'Sabbath's Theater,' Roth's earlier creations seem like Winnie the Pooh.
To become a celebrity is to become a brand name. There is Ivory Soap, Rice Krispies, and Philip Roth. Ivory is the soap that floats; Rice Krispies the breakfast cereal that goes snap-crackle-pop; Philip Roth the Jew who masturbates with a piece of liver.
America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town - from Bellow to Roth to Updike to Richard Ford - America was more or less explicitly the leitmotif.
I kissed John Updike as he presented me with an award. It wasn't the best kiss as far as kisses go, but I hold the fact that I kissed John Updike, that he kissed me, very close to my heart.
I read Lorrie Moore and Marilynne Robinson and Jhumpa Lahiri and Richard Ford, John Updike, Anton Chekhov, Vladimir Nabokov - all of whom I really fell in love with.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
Updike and Bellow and Roth were my three favorite writers when I was young and throughout my life.
I like big doses of grief when I read: Richard Yates, Flannery O'Connor, Kenzabaro Oe, Thomas Bernhard.
I consider myself a Jewish writer, like all my heroes: Tom Stoppard, David Mamet, Philip Roth, Arthur Miller, Woody Allen.
Philip Roth is a good writer, but I wouldn't want to shake hands with him.
If you're, like, a PhD student in English, and you look at each instance that Richard Yates is mentioned in the book...it has sort of it's own narrative that one could analyze and write literary criticism about.
It was really great to be part of the Philip Roth story as a woman in a very complete way.
Philip Roth has been a huge influence on me. The early books I read in my teens and twenties.
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