A Quote by Roy Lichtenstein

Organized perception is what art is all about. — © Roy Lichtenstein
Organized perception is what art is all about.
Tolstoy's definition of art is the inverse of the truth; the task of art is to transform not perception into feeling, but feeling into perception.
During long periods of history, the mode of human sense perception changes with humanity’s entire mode of existence. The manner in which human sense perception is organized, the medium in which it is accomplished, is determined not only by nature but by historical circumstances as well
Art is not a pleasure, a solace, or an amusement; art is a great matter. Art is an organ of human life, transmitting man's reasonable perception into feeling.
Perception without the word, which is without thought, is one of the strangest phenomena. Then the perception is much more acute, not only with the brain, but also with all the senses. Such perception is not the fragmentary perception of the intellect nor the affair of the emotions. It can be called a total perception, and it is part of meditation.
Fashion and all that it implies - hair, makeup - is an art form. If you look organized and well presented, people think that you're organized in your mind and you take pride in yourself. And besides, it's fun. Isn't it fun?
The function of criticism is the reeducation of perception of works of art? The conception that its business is to appraise, to judge in the legal and moral sense, arrests the perception of those who are influenced by the criticism that assumes this task.
It is organized violence on top which creates individual violence at the bottom. It is the accumulated indignation against organized wrong, organized crime, organized injustice, which drives the political offender to act.
It's about time law enforcement got as organized as organized crime.
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Make no mistake about it! There is an organized movement against organized labor and it's called the Bush Administration.
Art is really about perception, and mine have been changed through visiting other realities.
I usually lump organized religion, organized labor, and organized crime together. The Mafia gets points for having the best restaurants
What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.
True science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion.
The issue Fodor writes about is central to the psychology of perception, cognition, and action. It is the central issue for anyone who would seriously study the neurobiology of behavior: Is the mind organized horizontally or vertically or both, and what are the consequences to psychology of proceeding on one assumption or the other? This has been little analyzed and written about. Jerry Fodor has repaired that omission and had done it brilliantly.
To say, 'I don't worry about perception,' you better worry about perception because it's a big part of making it through some very difficult times.
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