A Quote by Roy Lichtenstein
When I have used cartoon images, I've used them ironically to raise the question, 'Why would anyone want to do this with modern painting?'
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I liked painting, very early on, even more than drawing. I used poster paint on posterboard. I would copy images that I liked from magazines and books and combine them to make a "collage" kind of painting. In some ways, this is similar to how I work today.
When I was first painting the Monopoly guy I received a criticism. People said, "You're just painting cartoon characters, anyone can do that," but I'm actually a very skilled artist. That's why I released a Jack Nicholson portrait right after that that was very detailed in the face to show my skills.
. . . the example given by the Nazi regime as to the ability of a modern state to destroy human lives with the same techniques used by modern industry, employing the bureaucratic apparatus readily available to any modern state, is one that can hardly be ignored. Because although history may not repeat itself, it is rare that anything introduced to human history is not used again. Whether the Holocaust was unique or not in terms of its precedents is one question; whether it will remain so is quite another.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
My oldest brother and my middle brother would always beat me up and take the ball from me. I used to cry a lot, so I used to come in here and get my dad. He used to be on my team, so he used to hold them down and let me score the basket.
I think the worst lie I ever told was, because my last name is Goth, I used to tell kids at school that I used to be related to 'Van Gogh' and when I turned 18, I would inherit all the fortune from the sunflower painting.
I travel a lot. It used to be, when I would go to any country, I could guarantee that the first question would establish my name, and the fact that I've written Roots, and the third question, at least no later than the fourth question would not be a question, so much as a statement, something like, "We understand that in America white people do such and such bad things to black people."
I used to want to be a war photographer, and I used to want to be a ballerina and a comedian. I used to want to be a writer. I invalidated myself; it's a mistake for me.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
When my kids were younger, I used to avoid them. I used to sit on the toilet 'til my legs fell asleep. You want to know why your father spends so long in the toilet? Because he's not sure he wants to be a father.
I used to live in Los Angeles, but I didn't want my kids to grow up in the thick of the obsession with movie-making. There's a lot of sensationalism and superficiality. I wanted to take my kids out of that and raise 'em up elsewhere, and I wanted to stop being preoccupied with whether my star is on the rise or the descent. I can't imagine having a much greater life, and I don't want to be preoccupied with things that don't matter. But of course, ironically, my two oldest daughters have decided that they're going to be actresses.
As for the various kinds of montage photography, they are in reality not photography at all but a kind of painting in which photography is used - as pastiches of textiles are used in crazy-quilts - to form a mosaic. Whatever value the montage may have derives from painting rather than the camera.
I used to wonder how anyone could treat a fellow human as God. I never understood why they would do this.
In my 20s I used to cry about why I wasn’t thinner or prettier, but I want to add that I also used to cry about things like: ‘I wish my hair would grow faster. I wish I had different shoes …
I'm used to being told by society that I must regulate my body to fit the norm. I'm used to the fact that images of unaltered women are seen as unacceptable.
When primeval man ?rst used ?int stones for any purpose, he would have accidentally splintered them, and would then have used the sharp fragments. From this step it would be a small one to break the ?ints on purpose and not a very wide step to fashion them rudely.
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