A Quote by Roy Lichtenstein

Picasso's sculpture has incredible strength combined with a lack of pomposity. — © Roy Lichtenstein
Picasso's sculpture has incredible strength combined with a lack of pomposity.
I have the deepest admiration for Angela Palmer and her work so having my helmet as her subject has been a true honour for me. I think the sculpture is stunning and very striking, it's the most incredible combination of strength with fragility.
We are born male. We must learn to be men. Remember, strength is a force. It is an attribute of the heart. Its opposite is not weakness and fear, but confusion, lack of clarity, and lack of sound intention. If you are able to discern the path with heart and follow it even when at the moment it seems wrong, then and only then are you strong. Remember the words of Tao te ching. "The only true strength is a strength that people do not fear." Strength based in force is a strength people fear. Strength based in love is a strength people crave.
The difference between a successful person and others is not a lack of strength, not a lack of knowledge, but rather a lack of will.
I'm sick of the foodies who need every morsel that goes into their mouth to be a Picasso painting, a Giacometti sculpture, a Proust novel, evoking the world with each crumb.
Im sick of the foodies who need every morsel that goes into their mouth to be a Picasso painting, a Giacometti sculpture, a Proust novel, evoking the world with each crumb.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.
Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.
I don't want to knock photography, and I don't feel that film is up there but photography isn't. I think they're next to each other really, you know. There's an incredible strength to a still picture. Or there can be an incredible strength to a still picture that can outlive you. That can outlive a film.
People do not lack strength; they lack will.
Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.
Picasso is a painter, so am I; Picasso is Spanish, so am I; Picasso is a communist, neither am I.
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