A Quote by Roy Lichtenstein

I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
I don't think I'm morbid by nature. Serious writers have always written about serious subjects. Lighthearted material doesn't appeal to me, and I don't read it. I think I'm a realist, with a realistic sensibility of history and the tragedy of history.
Every serious man in dealing with really serious subjects carefully avoids writing. ... There does not exist, nor will there ever exist, any writing of mine dealing with this subject.
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
For me, the music of the Beatles then was serious and very, very serious art. So I couldn't take a picture of John laughing his head off or pulling funny faces because he was a serious artist, even when he was only 20.
I don't think existence wants you to be serious. I have not seen a serious tree. I have not seen a serious bird. I have not seen a serious sunrise. I have not seen a serious starry night. It seems they are all laughing in their own ways, dancing in their own ways. We may not understand it, but there is a subtle feeling that the whole existence is a celebration.
I think the producers, for the most part, don't want to see prices skyrocket because that will only create problems for them down the road and would also be a, you know, would be a very serious shock for a world economy that can't afford serious shocks right now.
I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.
It is not so important to be serious as it is to be serious about the important things. The monkey wears an expression of seriousness which would do credit to any college student, but the monkey is serious because he itches.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
I'm about 75 pages into a book on poetry. I don't know if anybody wants to read it. It's on any broad variety of subjects. I walk down the street and think of a topic and jot it down and say, 'Okay, that's another one.' They go from the humorous to the serious to every topic imaginable.
For me, personally, I think the serious gamers - the guys who know the levels - play Xbox, and people who are just good at the game play PS3. I play PS3 because I'm not a serious, serious gamer like that. But when I play the Xbox, the standard is so much higher.
What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful
I love Sam Neill. The thing that I always say about him, and I think it's true, is he's so dry. When he's serious, I think he's joking; when he's joking, I think he's serious.
I want to make serious work that engages with serious subjects. I'm very lucky: I get to more or less make what I want.
The White House is a serious place, with serious people, doing serious work. If you're not careful, it can grind you down.
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