A Quote by Roy Orbison
The image, like the voice, came in stages. I never sat down with anyone and said, 'Let's design an image.'
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I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong?
Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.
He who prohibited the making of a graven image would never himself have made an image in the likeness of holy things [i.e., by creating an image of them here on earth]. Nor is there at all any composite thing or creature endowed with sensation [made by God here on earth] like those in heaven. But the face is a symbol of the rational soul, the wings are the lofty ministers and energies of powers right and left, and the voice is delightful glory in endless contemplation.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
I learned a lot from Elvis. He never took his image seriously. So many performers today put their image before themselves. It can ruin them. Like Elvis, I never took my image seriously.
Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
I began wanting to create a detective who really turned the tables on that image of women, to know that you could have a sex life and not be a bad person. You could have a sex life and still solve your own problems. It was eight years from when I started having the fantasy that I was going to create such a detective to when I actually sat down and came up with V. I. Warshawski. It was a long, slow journey to come to a writing voice and do that character.
Jesus is much more concerned about shaking your foundations, giving you an utterly alternative self image, world image, and God image, and thus reframing your entire reality. Mere inspiration can never do this.
If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.
The image can only be studied through the image, by dreaming images as they gather in reverie. It is a non-sense to claim to study imagination objectively since one really receives the image only if he admires it. Already in comparing one image to another, one runs the risk of losing participation in its individuality.
The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.
To Whom does our God say, 'in our image' (Gen. 1:26), to whom if it is not to Him who is 'the brightness of His glory and the express image of His Person' (Heb. 1:3), 'the image of the invisible God' (Col. 1:15)? It is then to His living image, to Him Who has said 'I and My Father are one' (Jn. 10:30), 'He who has seen Me has seen the Father' (Jn. 14:9), that God says, 'Let us make man in our image'.
I love to think of some of the greats like Dior, or Chanel, lying in bed at night unable to sleep because the image of a dress came creeping into their minds and they couldn't let it go, so on went the bedside light as they reached for their pen and paper to translate that vision into an image.
Film is the best way to capture an image and project that image. It just is, hands down.
God reproduces and lives out His image in millions of ordinary people like us. It is a supreme mystery. We are called to bear that image as a Body because any one of us taken individually would present an incomplete image, one partly false and always distorted, like a single glass chip hacked from a mirror. But collectively, in all our diversity, we can come together as a community of believers to restore the image of God in the world.
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