A Quote by Roy Price

In the on-demand environment, you need love, not like. There's no lead in. You're not going to surf channels and hit it. People have to really want that show. — © Roy Price
In the on-demand environment, you need love, not like. There's no lead in. You're not going to surf channels and hit it. People have to really want that show.
When people ask me if I have a hobby, a lot of times my answer is that I like to surf in warm water. I like to ski, if I have the opportunity. But really, I like to go to my studio and write music that I want to write, where there's no pressure to come up with a hit single.
I don't know a single person in life that doesn't have conflict. I don't really enjoy acting enough to not want to experience something that feels like it really affects things. It's like, if you were a surfer, would you want to surf where there was like two-foot waves, or would you want to surf on like ten-foot waves. To me, the more kind of dramatic stories are more exciting for me, to play with.
I need to surf - surf and yoga. Whenever I'm in L.A., I go down to San Diego to surf for the weekend, and I always come back perfect.
I love to see actors' work. I love to surf channels late at night and accidentally run into movies I hadn't seen before. It makes me very proud of the profession.
I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
Everything in Athens is probably a good example. Any time when there really isn't a need for these facilities in these cities, but they get built anyway for the games, everybody has kind of wishful thinking about what the afterlife of these spaces is going to be. If there is not demand for it before the Olympics, there's probably not going to be demand for it afterwards.
People only watch six to eight to 10 channels, so if you want to be one of those channels, then you have to create content so strong that people have to come not once, not twice but enough that, behaviorally, they start to feel like, 'That's my channel.'
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
I love coming to New York. I think I'm going to come really often here. I need to - for the show, for the comedy. I want to do the shows here and have a beer and hang out with the comedians.
Everybody says, 'When you have kids, you really get away from yourself.' But really, it's the most selfish thing I've ever done. It's like, Okay, I'm going to create unconditional love for myself, and I'm going to need it and want it and ask for it every day, and I'm going to get it.
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
Obviously, we went after Trump quite a bit, but I also feel like, we can't be on anyone's side, really. We need to be on comedy's side, so we need to be fairly going after everyone, because the entire political system is a circus. So it's been fun and interesting, and I hope people enjoy the evolution of the show. It'll continue to evolve because you can't do the same show forever. I feel like people would get bored with that.
Overall, I just love performing so much that when I write, I want to write for me. I kind of learned that on 'Mr. Show,' that even in an environment where you can write whatever you want - which is what that environment was - I realized, 'Man, I still want to be the guy out in front.'
I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.
It's funny: We have so many shows and so many channels and so many things to occupy people as entertainment, especially with a show like 'Scandal,' which is clearly a hit, with a lot of heat around it - but every once in a while, people will say, 'What are you doing?' and I'll say 'Scandal,' and they'll have no idea what I'm talking about.
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