A Quote by Royce Gracie
I'm a prize fighter. Put me in any card and I'll sell it out. I can do it, man.
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...Cops just surrounding me with pistols everywhere.
They put me in the backseat of their car handcuffed,
Pushed out them chests like they're big rough and tough.
A cop come and said 'You'll never sell your guns now.'
I said 'It doesn't matter, you'll sell them anyhow.
You take the guns from me, you sell them for a fee;
Anyway you put it, they'll get in the city!'
The biggest difference between me and other artists out there is that they'll put anything out to sell a record or sell a ticket.
Maybe you'll take the cash out. So a credit card company or a bank that goes into the business of saying we're going to be the broker, we're going to sell you a mortgage that you're going to be able to pay off, we're going to help you reduce your credit card debt, we're going to help you save for retirement, we're going to put you into mutual funds that have low fees rather than high fees.
At Verve, my bookkeeper would invariably say, 'Well, why do you want to put out Roy Eldridge?' Or 'Why do you want to put out Ben Webster? They don't sell.' And I'd say, 'Well, whether they sell or not, they're important, they should be recorded and they're what Verve stands for, so we don't have to discuss that any further.
Everybody has those certain fighters they follow and that they really put on a high pedestal. They want to give the most shine that they possibly can. They look for any reason to break down a fighter's performance to when it isn't their favorite fighter in any positive thought.
I'd take bits and pieces from a fighter, if I liked what they did, and I'd put it in my arsenal. I never wanted to fight like or be like any other fighter. I wanted a style that was unique for me.
Chicago is a big town for magicians and card hustlers. So when I was very young, a fellow sat me down and taught me the Three-Card Monte. And that kind of put me in a - pointed me towards easy money.
I'm not scared of anyone. I don't care whether you are a jiu-jitsu fighter or a wrestler or a stand-up fighter: I want to put myself against you, and I want to see who is better. And if you are the guy that is going to beat me, I'm going to take that loss like a man and go back, and I'll work on me self. That's how I look at fighting.
Any promoter who wants to put me on their card, I'm willing to fight.
Put on a camera and put on some whatever, and you're an actor. Put me in a cage, I'm a fighter. Put me somewhere else - I'm in an ocean, I'm a surfer. I don't know what I am, I just do it all. And I want to be good at everything.
I'd get kicked out of buildings all day long, people would rip up my business card in my face. It's a humbling business to be in. But I knew I could sell and I knew I wanted to sell something I had created. I cut the feet out of those pantyhose and I knew I was on to something. This was it.
One thing I see in a lot of coaches is they try to live through the fighter. You can't live through the fighter. You gotta allow the fighter to be the fighter, and do what he do, and you just try to guide him. Why should I have to live through a fighter, when I went from eating out of a trashcan to being eight-time world champion? I stood in the limelight and did what I had to do as a fighter. I've been where that fighter is trying to go.
Before The Ultimate Fighter, I was appearing before a couple of hundred people at most. Now, I'm on the card of a Las Vegas blockbuster... this is every Australian fighter's dream.
She may be lying in bed reading a book, she may be making love with a prize fighter, or she may be running like mad through a field of stubble, one shoe one, one shoe off, a man named Corn Cob pursuing her hotly. Wherever she is I am standing in complete darkness; her absence blots me out.
If we offer a prize, so to speak, to anyone who manages to bring a country under his physical control - namely, that they can then sell the country's resources and borrow in its name - then it's not surprising that generals or guerrilla movements will want to compete for this prize. But that the prize is there is really not the fault of the insiders. It is the fault of the dominant states and of the system of international law they maintain.
I've been described as a tough and noisy woman, a prize fighter, a man-hater, you name it. They call me Battling Bella, Mother Courage, and a Jewish mother with more complaints than Portnoy. There are those who say I'm impatient, impetuous, uppity, rude, profane, brash, and overbearing. Whether I'm any of those things, or all of them, you can decide for yourself. But whatever I am -- and this ought to be made very clear -- I am a very serious woman.
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