A Quote by Roz Chast

Sometimes, you know - I think, with a lot of things, at the time, everything is extremely upsetting, and then you look back on it, and it actually can be sort of funny. — © Roz Chast
Sometimes, you know - I think, with a lot of things, at the time, everything is extremely upsetting, and then you look back on it, and it actually can be sort of funny.
You look at the road you could have taken, you know, I just think that's interesting... I've been on a lot of roads and I had to hitchhike on a couple of 'em... I have to be very honest: There's not an awful lot of regret in my life. I think that, you know, you learn from everything, and then, sometimes, you don't.
There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I think sometimes my humor is extremely dry, and a lot of times I would say things that I thought were very funny but... I have a reputation of - people think of me as a very fundamentalist, humorless fellow.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
First of all, I find everything funny, which is upsetting to my children sometimes, and to people in my life, in general.
I know if I look back there's a lot of things I look back on and feel proud of in England. My time in MLS has just been better.
I think funny comes from tragedy and time. And I think that's where I get it. I'm able to take things that are serious and sad, and turn it into funny. In all honesty - this is after a lot of therapy - I think that, you know, I need love from something, and so now, I find it through performing.
When I look back on my twenties, I just remember being afraid of everything, and in my thirties, I'm actually excited by things. And if things don't work out, you know, by the time you've hit your thirties, you've had your fair share of disappointments.
Sometimes I'll look back at old pictures where I'm a little heavy and dressed funny and think, 'How did I get chicks all the time?'
We've all, you know, done things that we think at the time were bad, but actually, in hindsight, you look back and go, 'I'm really grateful that happened because I'm a stronger person.'
My parents and my sister died... very close together, and after that, I lost quite a bit of my sense of humor. Most of it I think has kind of come back, but I know there was a time when I didn't think things were funny anymore. I kind of think they're funny again.
You know, when I sit in meetings and things are very tense and people take things extremely seriously and they invest a lot of their ego, I sometimes think to myself, 'Come on, you know, there's life and there's death and there is love.' And all of that ego business is nonsense compared to that.
I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.
I think what's hysterically funny is a guy who sets himself up as the most confident, everything's-perfect, know-it-all, things-are-swell human being and then gets wiped out every time.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
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