A Quote by Roz Savage

I was the child at school in second-hand or handmade clothes and, as I grew older, I craved material wealth, a big house and designer clothes. — © Roz Savage
I was the child at school in second-hand or handmade clothes and, as I grew older, I craved material wealth, a big house and designer clothes.
Egoism... is not eliminated by economic reorganization or by material abundance. When basic needs are satisfied, new 'needs' emerge. In our society, people want no simply clothes, but fashionable clothes; not shelter, but a house to display their wealth and taste.
I wear a lot of second hand clothes unless I have a concert and then I wear beaded and sequined second hand clothes. No stylist dresses me although I do have a woman that assists me with the buttons.
I was the child who would leave school and take her clothes off the second I got into the house. I made my mom buy me lingerie when I was 5 years old. I was a sicko. My mother must have been mortified.
I've always been quite thrifty. I can't bear to spend hundreds of pounds on designer clothes. I shop in second-hand shops in Portobello Road and go to Sue Ryder.
Don't be overwhelmed by a man's fancy car, fancy house or fancy clothes. It's really the person inside the care, house and clothes that matters. By the same token, don't be underwhelmed by a less-than-fancy car, house or clohtes. Women can earn the car and house themselves, and you can always buy your man nice clothes, too.
Perhaps second-hand cares, like second-hand clothes, come easily off and on.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
People think that I grew up going to Barneys for my back-to-school clothes. I went to the Gap. We lived in a nice house on a cul-de-sac, but it wasn't a mansion. We didn't have a butler or a maid.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
I grew up as a fairly poor kid in, you know, Toronto, Canada. I don't think I owned any new clothes until I was, like, 15 or something. They were all second-hand and forged from paper.
When we did 'Dynasty', it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
I always loved clothes, just not clothes that were appropriate to the place I grew up in.
I just love second-hand clothes.
I'm not a fan of second-hand or vintage clothes.
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