A Quote by Rozonda Thomas

What is not cool is if we have a problem with an artist or if an artist has a problem with us, come to us directly. Talk to us. Don't start a Twitter war and all that kind of stuff. That's silly.
There's not too many artist that can handle what we would call an Christian R&B sound. It's kind of a limited field as far as singers go. Just hoping that more artist like that can resonate and grow.In terms of female rappers, man hey come on! We're here...come talk to us!
There is a big misunderstanding about the idea of naturalness. Most people who come to us believing in some freedom or naturalness, but their understanding is what we call [heretical naturalness] ... a kind of "let-alone policy" or sloppiness... For a plant or stone to be natural is no problem. But for us there is some problem, indeed a big problem. To be natural is something we must work on.
The best customers for us are the ones that present us with a new problem because chances are, if one customer has that problem, 100 more have it, or 1,000, or 10,000. So you start thinking about solution development rather than product development.
You are right in demanding that an artist approach his work consciously, but you are confusing two concepts: the solution of a problem and the correct formulation of a problem. Only the second is required of the artist.
We're in a world of truncated sentences, soundbites and Twitter... [Language] is being eroded -- it's changing. Our expressiveness and our ease with some words is being diluted so that the sentence with more than one clause is a problem for us, and the word of more than two syllables is a problem for us.
American tyranny has come gradually, like a slow rising river. Each of us does not realize the danger until the water comes to our door. Until then, it is merely someone elses problem and a problem that we fool ourselves into thinking won't reach us.
The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web. The problem is not that there are problems. The problem is expecting otherwise and thinking that having problems is a problem.
Why do we have to have people come from afar to come and grow food for us, or to grow food to sell to us? It is partly because we are almost becoming used to people doing things for us. Like somebody else is going to solve that problem for us. And that to me is very disempowering system.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
The artist's mission must not be to produce an irrefutable solution to a problem, but to compel us to love life in all its countless and inexhaustible manifestations.
It is interesting to note that life never leaves us stranded. If life hands us a problem, it hands us also the abilities with which to meet the problem.
Ant & Dec have always nicked stuff off us. We met their writers, they said they just trawl our stuff and adapt it. The problem is they're a lot bigger than us, so people think we're copying them.
it seems a silly kind o' business to bring us into the world at all for no special reason 'cept to take us out of it again just as folks 'ave learned to know us a bit and find us useful.
The best thing that can happen to a human being us to find a problem, to fall in love with that problem, and to live trying to solve that problem, unless another problem even more lovable appears.
There is no question that the US market is the hardest to break into. I believe that the reason for this primarily has to do with the fact that the majority of the most powerful radio stations in the US are owned by Clear Channel. They are massive and have the ability to break artists worldwide. For the most part, they are dealing directly with the major labels in the US, with whom they have had long relationships. If you are an artist that is not being pushed by Clear Channel radio in the US, your chances of becoming a household name are slim.
To know me is to love me. This cliche is popular for a reason, because most of us, I imagine, believe deep in our hearts that if anyone truly got to know us, they'd truly get to love us - or at least know why we're the way we are. The problem in life, maybe the central problem, is that so few people ever seem to have sufficient curiosity to do the job on us that we know we deserve.
This site uses cookies to ensure you get the best experience. More info...
Got it!