A Quote by Ru Freeman

I think a lot, so I don't spend a lot of time actually writing - I do that part very quickly. That helps, for me. To keep track of the characters. — © Ru Freeman
I think a lot, so I don't spend a lot of time actually writing - I do that part very quickly. That helps, for me. To keep track of the characters.
Ideas are the easy part. I spend a lot of time batting them away, trying to keep them from distracting me from what I actually have to focus on and finish. A lot of times, they are a siren temptress beckoning me with the promise of a much shorter, simpler, more slender novel over the horizon, but of course that's very dangerous.
I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.
We seem to spend a lot of our time in very small spaces spouting a lot of dialogue very quickly.
If you know anything about what a lot of the senior leaders at Amazon do in their free time, they spend a lot of time on civil liberties. It's something that's very important to me and I think a lot of my peers.
I love playing women, and I think that this is a throughline to a lot of the characters I've played - they all have this aspect of being wronged. And I think, a lot of the time, the characters are actually wronged by themselves, and they find someone else to blame it on.
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
I'm just not a naturally cheery person. I'm naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.
It's a good community, country music, because we get the chance to sit down and... me and Tim McGraw spend a lot of time. Me and Kenny Chesney had the opportunity to spend a lot of time together. It's been a lot of great advice through the years.
I've learned a lot on the fly, and I think, actually, my academic and management consulting background has enabled me to quickly pick up on a lot of disciplines.
When I'm writing a novel, one of the things I do is get big poster boards. They're actually canvases that artists use. And I keep all the characters' names on them. If you write a big novel, there's a lot of characters.
I love to write songs, but they don't come easy to me - I spend a lot of time writing really dumb stuff that I have to look at the next day and think, 'God, what was I thinking?' That's my process, is just to go through a lot of dumb stuff and hope that, after a lot of hard work, I'll find a good idea.
Our intelligence communities spend a lot of time and effort gathering a lot of strands and a lot of data [on Russian hacking]. There are times where they're very cautious and they say, "We think this is what happened, but we're not certain."
My confidence has been really building since my time at Espanyol. The two coaches are actually very similar on the pressing side of the game. They spend a lot of time on that side of it, and it's a lot of hard work.
I'm very nostalgic, and I spend a lot of time in the past, in my mind. That's part of my challenge, and what I really want to do is, I want to be present. I want to leave that in the past. When I say nostalgic, I mean my own life. I spend a lot of time reflecting on my past and not being able to process time.
That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
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