A Quote by Ruben Blades
Anywhere you had a commerce center, you had a lot of music.
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I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
We center backs had to cover a lot of ground, and we had to be very physical with the opposing strikers.
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
My daddy had been a fiddler, and I heard a lot of fiddle music as a child. I had a ukulele and had played along with him.
I don't think America has ever had a center the way London is the center of England or Dublin is the center of Ireland.
I would say that 'Creed' has a lot more music in it. It's 60 minutes of music, while 'Fruitvale' had about a fourth of that at best. There's a bigger focus in 'Creed' because I had to make music for training montages.
You had to give, uh, a lot of consideration to the fact that, uh, the artist had to come back into the mike area and start singing, especially the background singers, you know. And you had to make sure they had a couple of bars of music in order to catch their breath. And uh, in many cases a lot of choreographers didn't give that, uh, the proper thought.
The real question was, here we had this information, Bin Laden intends to strike in the United States. We knew they had struck before in 1993 at the World Trade Center in the first bombing of the trade center.
I had a band called Infectious Grooves back in the Nineties. That music was really a mixture of styles, and we had some stuff that was punk rock, ska, but then we had a lot of funk in there.
You look at the tremendous success of Facebook. To my mind there is not a lot of commerce going on in these social networking sites. eBay is a community anchored in commerce. It is a commerce site that built a community around it. What has not been proven is if the reverse can happen and people will go to community sites to do commerce.
I wasn't a 'Battlestar' fan, but I had a lot of respect for the show. I had a lot of friends who worked on the show, and I had seen a few episodes. but I was more attracted to it from afar, from the respect and awards it had received to the loyal viewership that it had. That piqued my interest a lot when the opportunity for 'Caprica' arose.
If the breaking news story had to do with hard news, politics specifically, I had a lot to do with it. If it had to do with music, Kurt Loder was more involved.
I saw that everything, all paths I had been following, all steps I had taken, were leading back to a single point - namely, to the mid-point. It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation. I knew that in finding the mandala as an expression of the self I had attained what was for me the ultimate.
I moved to New York City in '92 and had no money. I had a lot of free time, as actors do. I would go to the New York Public Library at Lincoln Center.
I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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