A Quote by Ruben Loftus-Cheek

Coming to Crystal Palace, I'm really excited to be playing. There's still massive competition here. — © Ruben Loftus-Cheek
Coming to Crystal Palace, I'm really excited to be playing. There's still massive competition here.
It was Cosmos who actually told Crystal Palace about me. Palace came to have a look, liked what they saw, and they took it from there.
I'm playing a powerhouse singer who is big competition, but she's also really down to earth and sweet. But the whole sweet thing goes away when she's in competition mode. I love the show, so I'm very excited to be a part of it. I'm going to kill it on 'Glee!'
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
You'll see me just walk into the local Tesco. I don't feel I need to hide myself because there's no reason to. Okay, I play for Crystal Palace, but I'm still a normal human being.
When Sunderland turned down an offer for me from Crystal Palace I went to see Moyes in his office three or four times. I was angry. I told him: 'Accept Palace's bid and just let me leave - it is the best thing for all concerned.' But he said that he wanted to keep hold of me.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
I think Crystal Palace is always a tough place to go.
Crystal Palace were my first club and one I hold dear to my heart.
I am the Crystal Palace DJ. I'm the guy who gets us going. I play the songs.
I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.
I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.
You have three groups. One who is happy. Then players who are doubtful, but still feel they have a chance. And then, you have the losers at that moment, who will go to the second group and try to influence them. They are poison for your team. At Inter, and also at Crystal Palace, you've got to get rid of those players.
I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.
It hasn't always been a Premier League ride for Crystal Palace supporters. They're there to support us through the hard times.
I had just left Yes and had done a concert at Crystal Palace, South London, with a choir and orchestra playing my solo album 'Journey To The Centre Of The Earth' when I had my heart attack. That day, I hadn't been to bed for four days. I don't remember much. I felt very numb during the day and airy, which is the best way to describe it.
Iain Dowie famously coined the phrase 'bouncebackability' to describe Crystal Palace's ability to come from behind. But this is a typical manager's idea, so optimistic. What fans are interested in is 'throwawayability': which teams toss away hard-earned leads? Now we know that 'throwawayability' exists because we proved last season that 'bouncebackability' exists (although, hilariously, Palace don't have it) and 'throw-awayability' is the flip side of it.
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