A Quote by Ruby Bridges
I remember turning onto the street. I saw barricades and police officers and, just, people everywhere. When I saw all of that, I immediately thought that it was Mardi Gras. I had no idea that they were here to keep me out of the school.
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I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
It's always on everyone's list, like, 'What's New Orleans like?' I think people have a pre-conceived idea, like it's just Mardi Gras and Bourbon Street. But really, there's so much culture, the music's great, the food's great. It's not good for the waistline! But I'm actually from the South, I'm from Georgia, so the weather doesn't bother me.
We've never done a coordinated music effort. Everything else we've done has been around a holiday - Halloween, Mardi Gras, half way to Mardi Gras, St. Patrick's Day.
I remember June 8, 1972. I saw the airplane. And it's so loud, so close to me. Suddenly, the fire everywhere around me. The fire burned off my clothes. And I saw my arm got burned with the fire. I thought, oh, my goodness, I get burned. People will see me different way.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
I was fortunately able to avoid getting into any trouble with police. There was - I remember I was 12, and I did something really (laughter) - a couple of friends, Cinco de Mayo - we were off school, and we saw some people looking like they were having a party. And we had a little bit too much time on our hands, and so we figured, as kids, a great idea would be to throw some things over the fence and hit all these people with stuff, like eggs and everything.
Normally when you go to a queer space the people often look like you, they are the same age as you and so on, but at Mardi Gras and at queer events in general, everybody is different, everybody comes together. And that is what I love about Pride and Mardi Gras and those sort of events.
Mainstream media tends to showcase a very specific kind of Mardi Gras, but my experience of Mardi Gras is very different; it's very cultural.
I love Mardi Gras. I'm a street rat.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
When I was a kid, I saw Mardi Gras in New Orleans. So to me Party Rock was always wear your animal print, bring your no-lenses glasses, dress up in a bunch of colors and have fun. Animal print is a must.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.
Ozzy Osbourne and Motley Crue in New Orleans on Mardi Gras = bad idea!
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