A Quote by Ruby Bridges

From age 7 to about 37, I had a normal life and not a very easy one. — © Ruby Bridges
From age 7 to about 37, I had a normal life and not a very easy one.
I come from a very normal day job, a very normal upbringing, so I had six or seven years working in an office nine to five in human resources. I had the normal life and kind of thought maybe this is what I'm going to do for the rest of my life but still had that passion and that yearning for music.
I've lived an easy life, the life you dream about. And at that time I thought it was normal, but it's so far from normal.
I miss going to school and having friends; that's normal for anyone my age. I had a very boring childhood because I never had the opportunity to associate with anybody my own age due to my career. I miss being around kids my own age.
I had a great life at Boeing. I'd been there for 37 years and contributed to all the Boeing airplanes as a designer: the 707, 727, 37, 47, 57, 67 and 'triple 7' and the 87.
I was fifteen in college at Tulane. I lied about my age in college so that I could be normal socially. So that girls would go out with me and stuff like that. I just said I was normal age.
I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
It's not easy to be my sons because we're very high profile. We try so hard to give them a normal life. I'm very, very tight with them about money. I don't give that money until they ask, 'I need 100 yuan for my lunch card,' and so on. So they never have extra money.
Would I still be playing at the top level at the age of 37 years if I had any weaknesses?
In East Germany it was very normal for a woman to go out and work even if she had children. A few weeks after giving birth women would return to their normal working life. We never had housewives in East Germany.
It was the worst night of my life. George W. Bush was reelected, and then I knew I had to do another couple of albums about this idiot. Then I had to play in front of 37 people. It was horrible. I was crying. I was freaked out.
I'm very well off but I can stay with normal people. I can do a super-luxury life, but I can do a very normal life and I'm not scared.
There is a connection, hard to explain logically but easy to feel, between achievement in public life and progress in the arts. The age of Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of Leonardo da Vinci. The age of Elizabeth was also the age of Shakespeare. And the New Frontier for which I campaign in public life, can also be a New Frontier for American art.
I grew up in a very small country town in Victoria. I had a very normal, low-key kind of upbringing. I went to school, I hung out with my friends, I fought with my younger sisters. It was all very normal.
I wouldn't trade the childhood we had because, A, It was normal to me, even though, in hindsight, it's not normal. It felt normal, and I think we maintained a pretty normal healthy attitude towards what we did. And B, I just wouldn't trade it, the experience that we had and the growth we've had.
I think I wanted to be a storyteller because I had a very active dream life. My life was boring, and I dreamed about a life bigger than my own. I've always just been that person, from my earliest memories at age 2.
Poetry of all the forms of literature I think is the most suited for the digital age and for the shorter attention spans and all of that. It Twitters very easily, some lyric poems and it's very easy to zip a poem to someone, so that's one of the things I think is wonderful about poetry in the digital age.
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