A Quote by Ruby Bridges

You cannot look at a person and judge him or her by the color of their skin. — © Ruby Bridges
You cannot look at a person and judge him or her by the color of their skin.
My mom always said to us, "You cannot judge anybody because of the color of skin." There were a lot of African immigrants in Italy at the time, and people would not even say hi in the street. And my mom, she would invite these people to the house. This is what I got from my mom: to not judge people because of their sexuality, their skin color, their religion, nothing.
I don't judge people by their sexual orientation or the color of their skin, so I find it really hard to identify someone by saying that they're a gay person or a black person or a Jewish person.
There's something not right with a person's soul when they judge another human being to be less adequate because of their gender or skin color.
If you write, fix pipes, grade papers, lay bricks or drive a taxi - do it with a sense of pride. And do it the best you know how. Be cognizant and sympathetic to the guy alongside, because he wants a place in the sun, too. And always...always look past his color, his creed, his religion and the shape of his ears. Look for the whole person. Judge him as the whole person.
I will not judge a person to be spiritually dead whom I have judged formerly to have had spiritual life, though I see him at present in a swoon (faint)as to all evidences of the spiritual life. And the reason why I will not judge him so is this -- because if you judge a person dead, you neglect him, you leave him; but if you judge him in a swoon,(faint) though never so dangerous, you use all means for the retrieving of his life.
I try to teach through my opinions, through my speeches, how wrong it is to judge people on the basis of what they look like, color of their skin, whether they're men or women.
My beliefs are now one hundred percent against racism and segregation in any form and I also believe that we don't judge a person by the color of his skin but rather by his deeds.
If an American, because his skin is dark, cannot eat lunch in a restaurant open to the public, if he cannot send his children to the best public school available, if he cannot vote for the public officials who represent him, if, in short, he cannot enjoy the full and free life which all of us want, then who among us would be content to have the color of his skin changed and stand in his place? Who among us would then be content with the counsels of patience and delay?
The Bush administration is the most diverse in history because the president fills jobs on the basis of a person's capabilities and qualifications, not on the color of his or her skin.
Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
I am a Muslim and . . . my religion makes me be against all forms of racism. It keeps me from judging any man by the color of his skin. It teaches me to judge him by his deeds .
My parents taught me never to judge others based on whom they love, what color their skin is, or their religion.
I don't care about skin the color, everybody is a human being. Beneath every skin color, you bleed red. That's just the bottom line of the truth.
You don't hear that much about me being a white and singing soul music in England, but I get the feeling that in America it's really a big thing. It's like, 'God, look at the color of her skin.'
I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.
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