A Quote by Ruby Dee

I don't think the arts would have been as meaningful to me if I hadn't grown up in Harlem. — © Ruby Dee
I don't think the arts would have been as meaningful to me if I hadn't grown up in Harlem.
I've been lucky to have grown up in the arts.
I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.
I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, Git r done!
I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'
My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.
It's like the neighborhood I would have grown up in, I think, if I had have grown up here.
I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
For the longest time, my older brother told me he was teaching me self-defense, but now that I'm grown up, I realize he was just practicing his martial arts on me.
I had to be a grown-up when I should have been a little boy, and now that I'm a grown-up my little-boyness has exploded out of me. I've lived my life backwards.
We both grew up in the atmosphere of struggle, both Ossie and me, ... I come out of Harlem and Harlem comes out of me - wailing police sirens and street parties, rumors and landlords, that cultural, spiritual scene. And Ossie came up from the South, where struggle and dying were part of everyday life. That is who we are.
It would probably be very sensible to be in love with someone who was not in the arts and who wasn't so prone to ups and downs. When I think of people who aren't in the arts, I immediately think of politicians for some reason, and I would never want to be with a politician.
I am sure that, had I grown up with both parents, had I grown up in a safe environment, had I grown up with a feeling of safety rather than danger, I would not be the way I am.
I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.
Some people do need to grow up, but I don't think I'm there yet. I don't think I'm ready to do grown-up things and be a grown-up.
I'd get people asking me about my terrible, poor childhood which, in fact, was very normal, and I'd think, would you be as interested in me if I'd grown up in Surrey? And it surprised me how much I resented that.
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