A Quote by Ruby Dee

I think the poets and musicians, they belong to everybody. — © Ruby Dee
I think the poets and musicians, they belong to everybody.
The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?
I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
There are those who say that poets should use her and his art to change the world. I'd agree with that, but I think everybody should do that. I think the chef and the baker and the candlestick maker - I think everybody should be hoping to make it a better world.
"Native" always means people who belong someplace else, because they had once belonged somewhere. That shows that the white race does not really think they belong anywhere, because they think of everybody else as native.
I think that poets can say, "What we want is for everybody on earth to wake up free from fear and with access to medicine and clean water and education." But I don't think poets have any special insight on how to get there. And the 20th century is a pretty good record of that because so many of the great poets were Stalinists: Vallejo, Neruda, Eluard, Aragon, etc. They wrote their odes to Lenin and Stalin. They glorified some of the most violent and grotesque dictatorships of the 20th century. And a lot of the ones who were not Stalinists were fascists or fascist sympathizers.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
We are the sons of Sorrow; we are the poets and the prophets and the musicians.
I'm not in show business because I don't have to go to the meetings, I'm just not a part of it, I don't belong to it. When you "belong" to something. You want to think about that word, "belong." People should think about that: it means they own you. If you belong to something it owns you, and I just don't care for that. I like spinning out here like one of those subatomic particles that they can't quite pin down.
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
I belong to everybody and I belong to nobody.
I belong to everybody, and I belong to nobody.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.
I think the music reflects the state that the society is in. It doesn't suggest the state. I think the poets and musicians and artists are of the age - not only do they lead the age on, but they also reflect that age. [...] Like The Beatles. We came out of Liverpool and we reflected our background and we reflected our thoughts in what we sang, and that's all people are doing.
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