A Quote by Rudolf Rocker

We have come more and more under the dominance of mechanics and sacrificed living humanity to the dead rhythm of the machine without most of us even being conscious of the monstrosity of the procedure. Hence we frequently deal with such matters with indifference and in cold blood as if we handled dead things and not the destinies of men.
Without the story - in which everyone living, unborn and dead, participates - men are no more than bits of paper blown on the cold wind.
Psychoanalysis has taught that the dead โ€“ a dead parent, for example โ€“ can be more alive for us, more powerful, more scary, than the living. It is the question of ghosts.
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas.
Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'
To me the Universe was all void of Life, of Purpose, of Volition, even of Hostility; it was one huge, dead, immeasurable Steam-engine, rolling on, in its dead indifference, to grind me limb from limb. Oh vast gloomy, solitary Golgotha, and Mill of Death! Why was the living banished thither companionless, conscious? Why, if there is no Devil; nay, unless the Devil is your God?
All are to be men of genius in their degree,--rivulets or rivers, it does not matter, so that the souls be clear and pure; not dead walls encompassing dead heaps of things, known and numbered, but running waters in the sweet wilderness of things unnumbered and unknown, conscious only of the living banks, on which they partly refresh and partly reflect the flowers, and so pass on.
It will startle you to see what slaves we are to by-gone times-to Death, if we give the matter the right word! ... We read in Dead Men's books! We laugh at Dead Men's jokes, and cry at Dead Men's pathos! . . . Whatever we seek to do, of our own free motion, a Dead Man's icy hand obstructs us!
Whatsoever causes no annoyance when it is present, causes only a groundless pain in the expectation. Death, therefore, the most awful of evils, is nothing to us, seeing that, when we are, death is not come, and, when death is come, we are not. It is nothing, then, either to the living or to the dead, for with the living it is not and the dead exist no longer.
When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.
What is passion? It is surely the becoming of a person. Are we not, for most of our lives, marking time? Most of our being is at rest, unlived. In passion, the body and the spirit seek expression outside of self. Passion is all that is other from self. Sex is only interesting when it releases passion. The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead and that soon, come what may, we will be wholly so.
The reason why congregations have been so dead is, because they had dead men preaching to them. O that the Lord may quicken and revive them! How can dead men beget living children?
I confess, without shame, that I am sick and tired of fighting โ€” its glory is all moonshine; even success the most brilliant is over dead and mangled bodies, with the anguish and lamentations of distant families, appealing to me for sons, husbands, and fathers ... it is only those who have never heard a shot, never heard the shriek and groans of the wounded and lacerated ... that cry aloud for more blood, more vengeance, more desolation.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
It is thought that the virus is a degeneration from a more complex life form. It may at one time have been capable of independent life. Now has fallen to the borderline between living and dead matter. It can exhibit living qualities only in a host, by using the life of another-the renunciation of life itself, a falling towards inorganic, inflexible machine, towards dead matter
Humanity is always made up of more dead than living.
We are not preaching the Gospel of a dead Christ, but of a living Christ who sits exalted at the Father's right hand, and is living to save all who put their trust in Him. That is why those of us who really know the Gospel never have any crucifixes around our churches or in our homes. The crucifix represents a dead Christ hanging languid on a cross of shame. But we are not pointing men to a dead Christ; we are preaching a living Christ. He lives exalted at God's right hand, and He "saves to the uttermost all who come to God by Him."
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