A Quote by Rudolf Spielmann

In the opening a master should play like a book, in the mid-game he should play like a magician, in the ending he should play like a machine. — © Rudolf Spielmann
In the opening a master should play like a book, in the mid-game he should play like a magician, in the ending he should play like a machine.
We should not play like Australia or India or England - we should play like Sri Lanka.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
Sacred space and sacred time and something joyous to do is all we need. Almost anything then becomes a continuous and increasing joy. What you have to do, you do with play. I think a good way to conceive of sacred space is as a playground. If what you're doing seems like play, you are in it. But you can't play with my toys, you have to have your own. Your life should have yielded some. Older people play with life experiences and realizations or with thoughts they like to entertain. In my case, I have books I like to read that don't lead anywhere.
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?
You should really treat stand-up like you would a play. It's a one-man play.
I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
I'm really not one of those deejays who go, 'I play music that I like.' I play it for the crowd. I believe that's what a deejay should do.
If we're going to be getting treated like that, why can't we treat the clubs like that? I just want to see the game and the players looked after the way they should be because the crowds don't turn up to watch David Gallop play... they turn up to watch the players play.
A good girl in Afghanistan should be silent, should not talk about her future, should listen to your family, be like a doll so that everyone can play with her.
When people say, 'You run like a girl; you play like a girl,' it's not what it used to be. That shouldn't be negative. You should be proud to play like a girl.
I always knew I wanted to play golf and go to college. I try hard to be a positive role model, especially on the golf course. I try to carry myself well, and don't do anything outrageous. I try to play the game like a gentleman and give everyone respect. That's how the game should be played.
I like to play football, and of course I like to play for Tottenham, but I try to enjoy every game because that's the most important thing, to have fun on the pitch, and then you can play good.
My number one tip is always to play tight. From my experience, most new players play about 80% of the hands they are dealt in Texas Hold 'em. In fact, the reverse should be the case: they should only play about 20% of them!
You've can play the game, by all means play the game because that's what it is. But if you think you can act your whole way through 'Big Brother' you shouldn't be in Borehamwood, you should be in Hollywood.
It's like kids playing house: 'You play the father, I'll play the mother.' You know, you dress up, you play, they pay, you go home. It's a game - acting's a game.
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