A Quote by Rudolfo Anaya

It seemed the more I knew about people the more I knew about the strange magic hidden in their hearts. — © Rudolfo Anaya
It seemed the more I knew about people the more I knew about the strange magic hidden in their hearts.
If they were real, then maybe the world was big enough to have magic in it. And if there was magic — even bad magic, and Zach knew it was more likely that there was bad magic than any good kind — then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter.
I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.
[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.
I try to do as much as I can. I probably knew more about Earl Mills than anybody on earth besides people who actually knew him.
The stupidest thing she knew was for people to act like they knew all about the things they knew absolutely nothing about.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
Once I got to the OTC they knew more about the physical aspects of shooting, and knew which muscles were more important to have trained and geared us a program around that.
I knew there was going to be pressure on me with the captaincy. I knew people would be writing about my performances more than anyone else's, but that's not a problem because I have my dad telling me about my performance every single game, and he is my biggest critic.
I'd studied 16th century science and magic. I thought it was strange that people were interested in the same kinds of things my research was about. The more I thought about it, the more intriguing it became and pretty soon I was writing a novel about a reluctant witch and a 1500-year-old vampire.
Strange about learning; the farther I go the more I see that I never knew even existed.
And what happened was, it's the same thing an older, more successful writer of ficition might say to a student: write about what you know. And what I knew - of course I knew jazz, but I also knew country, blues and some rock and roll. And that came out.
One never really knew what went on inside the hearts of other people, even those hearts you thought you knew as well as your own.
We knew we were talking about spies. I knew he knew I knew. I was digging my own grave.
A big tree seemed even more beautiful to me when I imagined thousands of tiny photosynthesis machines inside every leaf. So I went to MIT and worked on bacteria because that's where people knew the most about these switches, how to control the genetics.
A philosopher knows that in reality he knows very little. That is why he constantly strives to achieve true insight. Socrates was one of these rare people. He knew that he knew nothing about life and about the world. And now comes the important part: it troubled him that he knew so little.
[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.
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