A Quote by Rudy Giuliani

When I ran for mayor of New York City, the first time, some people voted eight and ten times. And second time I had firefighters and police officers outside checking on the buses so we take down the number of the bus, the bus had voted ten times, and wouldn't let the bus vote again.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
I remember my father used to wake up at 4 A.M. He woke me up as well. We would leave home together, he was going to work and I continued my walk to catch the bus. I had my training session with Sao Paulo in the morning. I had to take two buses to the point I could take the club bus.
I was in New York one day, and this guy ran off a bus, grabbed me, and told me that 'Maurice' had changed his life. I've also had it many, many times in England.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
For me, businesses are like buses. You stand on a corner and you don't like where the first bus is going? Wait ten minutes and take another. Don't like that one? They'll just keep coming. There's no end to buses or businesses.
My first artist bus was Jason Aldean's old bus, with deer antlers over the lights and cowhide on the back of the couches. It was such an absolute dude bus.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus.
When I was nine, we'd take a bus to the seaside. Coming back, we'd take turns entertaining, singing songs and the like. I tried some stand-up comedy. I had a captive audience in that bus. Then I realized I wanted to do more than that.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I don't really like living in a very small space, like a tour bus, even though I have an amazing tour bus, and I've had multiple tour buses. It's still not a lot of room.
The main point is first get the right people on the bus (and wrong people off the bus) before you figure out where to drive it. The second key point is the degree of sheer rigor in people decisions in order to take a company from Good to Great.
The bus scares me. Way too many gross people on the bus. Sixty-five people on the bus and I was the last one on. I felt like calling Unsolved Mysteries. 'Yeah, I found everybody.
Look, I don't really know where we should take this bus. But I know this much: If we get the right people on the bus, the right people in the right seats, and the wrong people off the bus, then we'll figure out how to take it someplace great.
When you are waiting for the bus and someone asks, "Has the bus come yet?". If the bus came would I be standing here?
Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line.
The point is that you free the ego. The ego is only a pronoun. It's a Greek first person pronoun, ergo. When you're in Greece you say, Ergo wants to take a bus, and you don't mean your ego wants to take a bus, like some big entity, you only mean I want to take a bus.
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