A Quote by Rudyard Kipling
What is a woman that you forsake her,
And the hearth-fire and the home-acre,
To go with the old grey Widow-maker?
Related Quotes
It is degrading both for man and woman that woman should be called upon or induced to forsake the hearth and shoulder the rifle for the protection of that hearth.
According to me every woman who maintains a balance between her professional and personal life or chooses to be a home-maker in order to take care of her family are all my inspiration.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
If a woman abandoned by her husband, or a widow, of her own accord contracts a second marriage and bears ,a son , he is called the son of a re married woman .
Without a home must the soldier go, a changeful wanderer, and can warm himself at no home-lit hearth.
The woman is more intelligent when it comes to the children, when it comes to her role and responsibility as a mother and so on. Then, the man is usually, for example, in the public arena. He is usually good with things like penal code matters, and so he's the one who has to go out and provide, even if the woman is rich. She can stay at home and won't have to lift a finger " it's up to the man to do all the work, and provide her with food, clothing and shelter. The woman is treated like a queen in the home. She is a princess.
I have tried to write stories that go into the underworld of myth and bring out life and fire — where the old world looked at a woman alone and immortal and said: she must long to die, I have tried to say: look at her live!
A woman who ran a feminist organization in India told me one thing that stands out for her is bride burning. If a groom's family doesn't like an arranged marriage and they want to get rid of the woman, in-laws may set fire to her in the kitchen, or she may commit suicide in a "kitchen fire".
Heart may still be the fire in hearth but I'm suddenly too cold to continue, and besides, there's no hearth here anyway and it's the end of June. Thursday. Almost noon. And all the buttons on my corduroy coat are gone. I don't know why. I'm sorry Hailey. I don't know what to do.
I'm so weird with women. I couldn't go up to a gorgeous woman and tell her the building's on fire. 'Don't take this the wrong way, uh. I don't mean to be weird and I'm not trying to be creepy, but the building's on fire.
In domestic life, the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She 'wants' to be at home, and because she is a woman, she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
In domestic life the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She "wants" to be at home, and because she is a woman she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
Victory in defeat, there is none higher. She didn't give up, Ben; she's still trying to lift that stone after it has crushed her. She's a father working while cancer eats away his insides, to bring home one more pay check. She's a twelve-year-old trying to mother her brothers and sisters because mama had to go to Heaven. She's a switchboard operator sticking to her post while smoke chokes her and fire cuts off her escape. She's all the unsung heroes who couldn't make it but never quit.
Well, when Eleanor Roosevelt's mother dies, she goes to live with her Grandmother Hall. And her Grandmother Hall is in mourning. She's in widow's weeds. She's in her 50s, but appears very old. And she's exhausted from raising rather out-of-control children. Her favorite daughter, Anna, has died (Eleanor's mother), and she has living at home two other sons, Vallie and Eddie. And they are incredible sportsmen, incredible drinkers, out-of-control alcoholics.
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
I have a dream," he said slowly. "I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends -- and YOU!
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