A Quote by Rudyard Kipling

There rise her timeless capitals of empires daily born, whose plinths are laid at midnight and whose streets are packed at morn; and here come tired youths and maids that feign to love or sin in tones like rusty razor blades to tunes like smitten tin.
I told her, Don't touch me that way. Don't come at me with that sour-cream smile. Come at me as if I were worth your life - the life we make together. Take me like a turtle whose shell must be cracked, whose heart is ice, who needs your heat. Love me like a warrior, sweat up to your earlobes and all your hope between your teeth. Love me so I know I am at least as important as anything you have ever wanted.
O lust, thou infernal fire, whose fuel is gluttony; whose flame is pride, whose sparkles are wanton words; whose smoke is infamy; whose ashes are uncleanness; whose end is hell.
By these things examine thyself. By whose rules am I acting; in whose name; in whose strength; in whose glory? What faith, humility, self-denial, and love of God and to man have there been in all my actions?
My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me. Raise me a daïs of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.
In some respects, the video-game business is a lot like the razor business, which follows a simple model: Give away the razor, gouge 'em on the price of the blades.
The ocean, whose tides respond, like women's menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins, the ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves... it is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
Whose leadership, whose judgment, whose values do you want in the White House when that lands like a thud on the oval office desk?
What man so wise, what earthly wit so ware, As to descry the crafty cunning train, By which deceit doth mask in visor fair, And cast her colours dyed deep in grain, To seem like truth, whose shape she well can feign, And fitting gestures to her purpose frame, The guiltless man with guile to entertain?
Whose leadership, whose judgment, whose values do you want in the White House when that crisis lands like a thud on the Oval Office desk?
O, to be sure, we laugh less and play less and wear uncomfortable disguises like adults, but beneath the costume is the child we always are, whose needs are simple, whose daily life is still best described by fairy tales.
We know these men are professionals whose services are up for bid and whose bags are packed, and yet we call them our own and take personal, even civic pride in their accomplishments.
It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of the physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class wind-up toy.
When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.
Edinburgh is an experience A city of enormous gifts Whose streets sing of history Whose cobbles tell tales.
Give me the life of the boy whose mother is nurse, seamstress, washerwoman, cook, teacher, angel, and saint, all in one, and whose father is guide, exemplar, and friend. No servants to come between. These are the boys who are born to the best fortune.
To her whose heart is my heart's quiet home, To my first Love, my Mother, on whose knee I learnt love-lore that is not troublesome.
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