A Quote by Rudyard Kipling

Everyone is more or less mad on one point. — © Rudyard Kipling
Everyone is more or less mad on one point.
When it was announced that Michael Keaton was going to be Batman, everyone was mad. When they announced that Val Kilmer was going to be Batman, everyone was mad. When it was announced that George Clooney was going to be Batman, everyone was mad. When it was announced that Christian Bale was going to be Batman, everyone was mad. And everyone was mad about Ben Affleck. So every single incarnation, people are going to be mad; you just can't do anything about it.
The key to a better life: Complain less, appreciate more. Whine less, laugh more. Talk less, listen more. Want less, give more. Hate less, love more. Scold less, praise more. Fear less, hope more.
Has everyone gone mad?” “Everyone was mad already, my lady,” Cadrach said with a strange, sorrowful smile. “It is merely that the times have brought it out in them.
The idea that the curtain rises on what is often more or less a happy scene, and it will fall just a few hours later, and everyone will be dead or have gone mad... I find that kind of narrative very appealing.
love is thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
The point is, you see," said Ford, "that there is no point in driving yourself mad trying to stop yourself going mad. You might just as well give in and save your sanity for later.
If I had my child to raise all over again,I'd finger paint more, and point the finger less.I'd do less correcting, and more connecting.I'd take my eyes off my watch, and watch with my eyes.I would care to know less, and know to care more.I'd take more hikes and fly more kites.I'd stop playing serious, and seriously play.I'd run through more fields, and gaze at more stars.I'd do more hugging, and less tugging.I would be firm less often, and affirm much more.I'd build self esteem first, and the house later.I'd teach less about the love of power, and more about the power of love.
Mad Hatter: Would you like a little more tea? Alice: Well, I haven't had any yet, so I can't very well take more. March Hare: Ah, you mean you can't very well take less. Mad Hatter: Yes. You can always take more than nothing.
Fight less, cuddle more. Demand less, serve more. Text less, talk more. Criticize less, compliment more. Stress less, laugh more. worry less, pray more. With each new day, find new ways to love each other even more.
What does labor want? We want more schoolhouses and less jails; more books and less arsenals; more learning and less vice; more leisure and less greed; more justice and less revenge; in fact, more of the opportunities to cultivate our better natures, to make manhood more noble, womanhood more beautiful, and childhood more happy and bright.
…It’s like a spiral: They keep making everything more basic so it will appeal to everyone. And gradually, everyone gets used to everything being basic, so we get less and less varied as people, more simple. So the corps make everything even simpler. And it goes on and on.
The armed forces are paying a lot more attention to the use of energy. The Air Force has realized that the paint on planes is heavy, so there are going to be a lot more silver planes, or planes painted in a less heavy way, so that you are using less fuel to get from point A to point B.
Oh! thou who are greatly mad, deign to spare me who am less mad.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
Bored with obvious reality, I find my fascination in transforming it into a subjective point of view. Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
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