A Quote by Rufus Sewell

I wasnt a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out. — © Rufus Sewell
I wasnt a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out.
I wasn't a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out.
Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush.
I was kicked out of middle school a few times. This guy who was kind of a d*** and a bully got hit by a car. I jumped up and went, YEAH Apparently that wasnt cool with some people cause I got kicked out.
When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.
I was really lucky that, through my 20s, I got to work with some amazing people, and I tried to sit back and watch and learn.
Young men, especially in America, write to me and ask me to recommend “a course of reading.” Distrust a course of reading! People who really care for books read all of them. There is no other course.
I began reading everyhing in the family library. Kidnapped, Treasure Island, Robinson Crusoe. And of course, if you're running out of books to read you can always read Shakespeare.
Pray as though everything depended on God. Work as though everything depended on you.
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
I think back on it now and even though Gwen and I were living through a tough time with the breakup, as creative partners, that took precedence in our lives. Even though we were going through this really emotional stuff, which obviously ended out coming out in the music, we managed to stay really close and be creative partners through all of that.
That's really how I got started was doing Shakespeare. When I got out of school, I was lucky enough to meet George Wolfe, who ran The Public Theater.
Shakespeare fascinated me. He hardly ever left the country. His imagination was worldwide though reading.
I'm trying not to delve into my world of abstraction and self-indulgence. But I haven't. When I sit down and I try not to [be abstract], it comes out really forced and awkward.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
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