A Quote by Rufus Sewell

'The Taming Of The Shrew' is probably the first time I've worked in this country for about ten years, apart from theatre, and it's not for want of trying. It was so fantastic to work in London - it felt really glamorous.
London had always been different. There is the old saying that Britain is ten years behind America, and the country as a whole is ten years behind London. If you have a Mayor of London working for jobs and growth and strong businesses, that is going to create opportunities for businesses and people in Burnley or Hull and places all over the UK.
Truthfully speaking, women are dangerous, even those who aren't feminists, because there has always been a women's revolt. Only it has usually translated itself into solitary, individualist, disagreeable manifestations - the whole history of the taming of the shrew, the woman-shrew. They weren't shrews without cause.
My first acting lessons were Shakespeare. The first time I ever started working with a coach was doing scenes from 'Measure for Measure,' which were tough dramatic scenes. And then 'Taming of the Shrew,' which required comedic timing. And that's the kind of stuff I love.
We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
I did spend about 5 years in the Griffin Theatre Company in 1978 actually , and worked therefore about 5 years on a voluntary basis. This was very much as a amateur, doing things like mopping the floor, handling props, setting up scenery, etc. I never acted, and don't think I'm an actor, but those years in the theatre taught me a lot about professional theatre.
Science had married the wilderness and was taming the savage shrew.
Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
Journalism took me around the world. I worked in London for ten years and reported on the collapse of the Soviet Union, the troubles in Northern Ireland, and the first Gulf War.
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
When I did Taming of the Shrew, I was very tired, and I decided to have a holiday and make a documentary.
I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, "What can we shoot that looks fantastic?," rather than trying to do the kinds of thing that you would be able to accomplish in a movie.
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that?
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that
At the beginning, I felt sort of reluctant about my music from my past. But in the last couple of years, I felt good about what I did in the past. The way I see my work, time passes from the time I performed or recorded a work. When I look at it now, 25 years or 30 years ago, if I see that it has value today, I will agree to release it.
The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it.
I feel the first ten years of my career I really didn't care what the director said because I felt so arrogant. I was so certain about what should happen. But then I became a good listener.
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