A Quote by Rufus Sewell

I've always liked the idea of regularly doing a play but I was offered things which I felt were too 'celebie' and West Endy. — © Rufus Sewell
I've always liked the idea of regularly doing a play but I was offered things which I felt were too 'celebie' and West Endy.
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
You know, Russia today is, what, 200 million people? In land mass, it's probably 50 times the size [of Japan], in natural resources a hundred times the size! Russia's not doing all that badly. The public there - not everybody - but they have things that the West offered, [that] were only available in the West a long time ago.
I liked just being with you. I liked the way you breathed when you were asleep. I liked when you took the champagne glass from my hand. I liked how your fingers were always too long for your gloves.
I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.
You have to pay attention to the moments when you've felt on top on the world. I remember the first time I was on stage, I was doing 'West Side Story,' I was 17 and this woman was crying because she liked what I was doing so much.
My passion is more specific, in the sense that I've always liked doing comedy. I've always liked doing music. I like acting. And apparently, you need those things in movies.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
Making books has always felt very connected to my bookselling experience, that of wanting to draw people's attention to things that I liked, to shape things that I liked into new shapes.
We in the Negro leagues felt like we were contributing something to baseball, too, when we were playing. We played with a round ball, and we played with a round bat. And we wore baseball uniforms, and we thought that we were making a contribution to baseball. We loved the game, and we liked to play it.
I've always felt like I've had the ability to choose which roles I was going to play. I don't think that the industry agreed with me, but I've always had a bit of a headstrong attitude of only doing the things that I really believe in and want to explore.
It's important to remember that, in the 1930s, a lot of people in the West looked at communism as a pretty good idea. That was partly because they didn't know how bad things were on the communist side of the world, but it was also partly because things were bad in the West.
I have always liked the idea of Superman because I have always liked the idea that there is one person in the world who doesn’t do bad things. And that there is one person in the world who is able to fly.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
If you're on TV regularly, doing a thing regularly, whether you're Anthony Anderson on 'Black-ish' or Don Lemon, an hour a night, you have to turn into, 'What's the delivery system through which I can deliver information?' I don't mean they are being fake or that they are doing something that's disingenuous.
Ladies who were no better than they should be, whose dresses were too tight, too bright and too all the things Magnus liked most, lounged on velvet-covered benches along the walls.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
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