A Quote by Rufus Sewell

When I left drama school, my fear was that I'd get pigeon holed into comic acting and I did so much to counter it that I got stuck in the opposite. — © Rufus Sewell
When I left drama school, my fear was that I'd get pigeon holed into comic acting and I did so much to counter it that I got stuck in the opposite.
We often get pigeon-holed as a tough guy, or whatever else. I've been pigeon-holed as a heavy and serious, and almost a baddy, but not quite a baddy, over the years of my work in television, particularly.
If you're going to be pigeon-holed as anything as a woman, it's good to be pigeon-holed as someone with an acid tongue who gets things done.
I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.
I suppose, when you start up in acting, you hope to be given challenges, and you always have dreams about the things you could do and couldn't do, but normally we get pigeon-holed a little bit, as we go on in our careers.
Give more acting roles to 48-year-old half-Lithuanians who just don't want to be pigeon-holed as bakery presenters.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.
My career is chequered. Then I think I got pigeon-holed in humour; Shakespeare is not my thing.
We all get pigeon-holed or put in a box, no matter what that might be.
I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.
I got into acting my junior year of high school. We got a new hot drama teacher and I was like 'Alright, I'll try drama.'
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
You don't want to get pigeon-holed. So, I always get attracted to parts that are different from the previous ones I've played.
I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.
I did drama at school, as a kid, but I ain't been to, like, acting school or anything. I was in a couple of school plays.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
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