A Quote by Rufus Wainwright

But I want to deepen as an artist, and working with Shakespeare definitely points in that direction. — © Rufus Wainwright
But I want to deepen as an artist, and working with Shakespeare definitely points in that direction.
I'd really want to - just from my own experience as an artist working with a writer, I'd want to do everything I could to tailor it to the artist I was working with.
History is not truth versus falsehoods, but a mixture of both, a mélange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
I don't think I'm a natural novelist. Plot is definitely one of my weaker points. I've been working on it a long time, and it's not getting much better.
I think that there have definitely been points when I've had to fight to move my career in a different direction. I think, 2012, I did a few movies that touched on a darker side, and those are movies I'd been wanting to make and stories I'd been wanting to tell for a while. So I think it definitely takes work to move genres.
Working on Shakespeare and learning about Shakespeare was the big takeaway for me.
Future's a workaholic. That's definitely the most hard-working artist I know.
The job of the artist is always to deepen the mystery.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
I definitely want to study global health. Right now I'm working on all the prerequisite core curriculum that Columbia has. So getting all of that out of the way. And I definitely want to pursue something along the lines of public health.
The goal of the artist is not to resolve life's mysteries, but to deepen them.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
My mom raised me with the idea of doing public service, and I definitely want to go in that direction. But I also want to follow in my dad's entrepreneurial footsteps.
My talent is definitely a gift. I don't understand where it comes from. I don't play an instrument, and I never went to school for music production, but I know exactly how a song should sound and how to give an artist direction.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
It is my policy to deepen the Japan-U.S. alliance and to deepen security and economic relations as well as personal exchanges.
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