A Quote by Rufus Wainwright

The more hedonistic you were, the better...I very much subscribed to that as a young artist. — © Rufus Wainwright
The more hedonistic you were, the better...I very much subscribed to that as a young artist.
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
If we include hedonistic philosophy in hospitals, the lives of patients suffering from cancer would be much, much better.
I do not agree with this notion that somehow if I go to try to attract votes and to lead people toward a better tomorrow somehow I get subscribed to some-some doctrine gets subscribed to me.
As a young artist working in multiple mediums, the work and especially the writings of artist Laszlo Moholy-Nagy were very important to me.
Don't forget that at the end of the 70s people were much more into wild experimentation and hedonistic adventures. There was not really a fear of sexual diseases like HIV or aids back then, all that came later.
I am lucky in that my children are grown, my youngest is twenty-seven. I didn't have the conflict between artist and mother while they were young because I really focused in, very much, on the mothering aspect.
I'm interested in Patti Smith and women who were iconic in a very hedonistic way.
There's always the syndrome of the parent-child relationship: when someone has known you since you were very young, it doesn't matter how much more independent, how much older or more mature you get - there is still that element, the dynamic of the relationship that is very hard to successfully transform, and that has nothing to do with the music-making, in the end.
I am indeed a hedonistic utilitarian. I have defended hedonistic utilitarianism for quite a while.
Meeting my wife changed everything; it really, in the long run, made me a much better artist, a much better songwriter, a much better maker of albums.
Since I was very young I've been fascinated with nature and I actually wanted to be a marine biologist when I was very young. That was a great passion of mine. So I suppose in the off season when I'm not making movies, I became more and more active as an environmentalist trying to be more vocal about issues that I felt were important.
I study everything that I do to become better all the time at my craft. The beauty for me about being an artist is that the dream will never die because I'm not obsessed with material things and don't care about the money and don't care about the attention of the public but only the love of my fans. For me it's about keeping the dream alive of how much more devoted, how much more honest, how much better of an artist can I become? That's the only fear that I ever have, that the dream will die.
Books seem so much more - much more sacred to me, and more important and essential, than they were when I was young.
I didn't have a fraternity-like experience. I mean, I grew up with an older brother and a lot of male cousins and we were very physical with each other. We were very rambunctious when we were kids. But I never thought much - nor did I have reason to think much - about institutionalized hazing. But I think there's a reason young men are drawn to it.
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
I am much more understanding of people than I used to be when I was young - people were either villainous or wonderful. They were painted in very bright colours. The bad side of it - and there is a corollary to everything - is that when we get older, we fuss more. I used to despise people who fussed.
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