A Quote by Rufus Wainwright
I find so many songwriters today are missing an element... either the production is amazing but the songs aren't, or it's the other way around.
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I find so many songwriters today are missing an element ... either the production is amazing but the songs aren't, or it's the other way around.
In the Troubadour days, it was all those songwriters that I hung around with all the time, so I could get songs and find out what was going on. So we all knew each other, and we just carried each other's word around.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
It wasn't until I moved to Nashville that I realized what an amazing community it is. It's the thing I've been missing my whole career, the feeling of being able to sit around with a guitar and have people know each other's songs and know songs from people who've influenced all of us. When I moved here pretty early on Vince Gill started calling me to do guitar pulls, and I thought, gosh, this is just like heaven on earth down here.
What inspires me is anxiety and the quest to try to change things in my life. ...I got addicted to endings and beginnings and to the idea of always moving around. ...Obviously, whenever you're going through something that's the best time to create, if you're going through something amazing, or horrible, or nothing at all you should be creating. Unfortunately the songwriters of today generally torture themselves to make sure they're writing good songs and take it a little too seriously.
You're either on, and you're connected and distracted all the time, or you're off, but then you're wondering, am I missing something important? In other words, you're either distracted or you have fear of missing out.
Most of our artists are songwriters, so the songs are still central to all this. If you don't have great songs, it doesn't matter the marketing or how many times you are on TV; you can only polish it so much.
The interesting thing is that, well, here's what I think about songwriters and songs. Sometimes people sit down and say, "I gotta write a song today, I have a title" and all of that, and sometimes inspiration just happens, almost like "Sugar, Sugar" and a couple of the other songs. But basically, I just started playing the piano, and I'm not a great piano player.
The emotions between the races could never be pure; even love was tarnished by the desire to find in the other some element that was missing in ourselves. Whether we sought out our demons or salvation, the other race would always remain just that: menacing, alien, and apart.
There is simply no other choice than this: either to abstain from interference in the free play of the market, or to delegate the entire management of production and distribution to the government. Either capitalism or socialism: there exists no middle way.
The songs I write should only be gauged by what other writers or peers are doing today. If the barometer for all songwriters was to match his body of work, then anyone you might mention alive or dead is a failure. But I've learned to not be too hung up on what's fair or not fair.
Early on I did all the production for UGK, like on 'Southern Way.' Yeah, 90 percent of the production and not for any other reason then I couldn't find anybody that would give me what I needed, so I had to make it myself.
There are not so many songs written about love today like there were in the past. It's all changed, but that's why my songs still last as big favorites today.
We came from the '60s era, when we started and made so many hits. The song value from the '60s was so darn good, you've got The Beatles, The Beach Boys, all of Motown, and plenty of other people, too... amazing records, amazing songs.
I was brought up in many different cultures, moving around all the time, and I find my identity in my songs. I project the identity I want to have throughout the songs that I write.
Not too many songwriters, when they write songs go for broke. When someone does who's really good, it's astonishing. There's a reason a three-minute song can devastate you, or make you get up and dance, stop what you're doing and go, 'What is that?' It just hits you. And it's a very potent thing you're playing around with.
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