A Quote by Ruhollah Khomeini
It is better for a girl to marry in such a time when she would begin menstruation at her husband's house rather than her father's home. Any father marrying his daughter so young will have a permanent place in heaven.
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Every mother hopes that her daughter will marry a better man than she did, and is convinced that her son will never find a wife as good as his father did.
When my daughter went to school, her last name was mine. The school insisted that her father's name be added to hers, not her mother's. The fact that the mother kept her in her womb for nine months is forgotten. Women don't have an identity. She has her father's name today and will have her husband's tomorrow.
When my first daughter was born, my husband held her in his hands and said, 'My God, she's so beautiful.' I unwrapped the baby from her blankets. She was average size, with long thin fingers and a random assortment of toes. Her eyes were close set, and she had her father's hooked nose. It looked better on him.
Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
A woman is never so happy as when she is being wooed. Then she is mistress of all she surveys, the cynosure of all eyes, until that day of days when she sails down the aisle, a vision in white, lovely as the stefanotis she carries, borne translucent on her father's manly arm to be handed over to her new father-surrogate. If she is clever, and if her husband has the time and the resources, she will insist on being wooed all her life; more likely she will discover that marriage is not romantic, that husbands forget birthdays and aniversaries and seldom pay compliments, are often perfunctory.
My father has acted in over 700 films. My mother acted in one film, 'Kismat with Mithun Chakraborty,' in which my father also had a role. My father fell in love with her and would drive her around in his sports car, and they subsequently got married. My mom is the most beautiful woman and I think she has taken some serum to look young all her life.
My mother's family is Christian: her father was a Baptist lay preacher, and her brother, in a leap of Anglican upward mobility, became a vicar in the Church of Wales. But my mother converted to Islam on marrying my father. She was not obliged to; Muslim men are free to marry ahl al-kitab, or people of the Book - among them, Jews and Christians.
It's interesting to me that really one of the first things she [Eleanor Roosevelt]did as First Lady was to collect her father's letters and publish a book called The Letters of My Father, essentially, hunting big game, The Letters of Elliott Roosevelt. And it really was an act of redemption, really one of her first acts of redemption as she entered the White House. She was going to redeem her father's honor. And publishing his letters, reconnecting with her childhood really fortified her to go on into the difficult White House years.
I know also another man who married a widow with several children; and when one of the girls had grown into her teens he insisted on marrying her also, having first by some means won her affections. The mother, however, was much opposed to this marriage, and finally gave up her husband entirely to her daughter; and to this very day the daughter bears children to her stepfather, living as wife in the same house with her mother!
What else she doesn't know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
A man will teach his wife what is needed to arouse his desires. And there is no reason for a woman to know any more than what her husband is prepared to teach her. If she gets married knowing far too much about what she wants and doesn't want then she will be ready to find fault with her husband.
In America a woman loses her independence for ever in the bonds of matrimony. While there is less constraint on girls there than anywhere else, a wife submits to stricter obligations. For the former, her father's house is a home of freedom and pleasure; for the latter, her husband's is almost a cloister.
I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
Pride and Prejudice' is set in the early 19th century. At that time, women had the legal status of children. A daughter was the property of her father until marriage, when her ownership passed to her husband.
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