A Quote by Rumaan Alam

Blackness, any sort of difference, is not a burden. Relegating blackness or other sorts of difference to serious books that explicitly engage with issues creates a context in which it can seem like one.
Sometimes I feel like I'm not solid. I'm hollow. There's nothing behind my eyes. I'm a negative of a person. All I want is blackness, blackness and silence.
I am not renouncing my blackness and going on about my day. I am rejecting the legitimacy of the entire racial construct in which blackness functions as one orienting pole.
My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world.
The blackness of space was a big shock to me. It is a deep, three-dimensional, oily blackness. You can feel the distance.
I never had a moment of realization about my blackness - I just was. Blackness was a central thread of my experience as a child and as an adolescent, as it is now that I'm an adult.
Do you like me?” No answer. Silence bounced, fell off his tongue and sat between us and clogged my throat. It slaughtered my trust. It tore cigarettes out of my mouth. We exchanged blind words, and I did not cry, I did not beg, but blackness filled my ears, blackness lunged in my heart, and something that had been good, a sort of kindly oxygen, turned into a gas oven.
Being conscious of Global Blackness is knowing that we are not an island of our struggle but a nation of our triumphs. That's blackness to me.
All I want is blackness. Blackness and silence.
Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.
The difference between play and what is regarded as serious employment should be not a difference between the presence and absence of imagination, but a difference in the materials with which imagination is occupied.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
...he will go to his grave feeling cheated, never realizing that there isn't much difference between one woman and the other, that it is the loving that creates the difference.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness, and your black presence.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness and your black presence.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
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