A Quote by Rumaan Alam

Class is very, very fertile territory for American artists, and it has been for a long time. — © Rumaan Alam
Class is very, very fertile territory for American artists, and it has been for a long time.
Imperialism is the factor in American policy, not just since 1898, but in fact long before it when we were expanding across this continent and taking away Indian lands in order to enlarge the territory of the United States. We have been an imperial power and an expansionist power for a very long time.
American democracy in the past has always been known for its large middle class and its relatively few very wealthy people and very few very poor people, but that is gone to today and the middle class is shrinking.
It was very hard for me, for most of my life, to feel American, or call myself American, and that is a very complicated topic that would require a very long conversation.
African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.
I was so poor for so long that I didn't use anything. I didn't drive cars, I didn't eat very much. So, I figured the world owed me a debt, so I've been eating very well and have had a very big car for a long time. But I still haven't caught up with my youth.
In 19th-century France, artists were part of government. Artists are very sensitive to their time. They're very thoughtful people - it makes sense to hear what they have to say.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
I've studied authoritarianism for a very long time - for 40 years - and they're started by people's attempts to control the ideological and linguistic territory.
That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
For a very long time, loyalists were often left out of patriotic American histories of the revolution. Or they were caricatured as upper-class Tory reactionaries, or - rather like the Jacobites - made the subject only of nostalgic antiquarianism.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
I'm not very good at doing two things at the same time. I've never been good at the walk and bubblegum thing. I've been doing this 16 hours a day. I haven't had a day off. But it's very exciting, too, just to meet all these people doing really fertile stuff. It's sort of where I come from anyway, hanging out with people who believe in something incredible.
I am very bullish and I have been bullish on India for a very long time, and I see our own business growing very substantially.
It's my observation that gardeners and gardening for a very long time have had to take a back seat. Architects are very famous; they've got huge projects. What goes on in and around them has been relegated to a very minor role.
I've been a long time coming, and I'll be a long time gone. You've got your whole life to do something, and that's not very long.
I think the American people are very smart in understanding our country is very trustworthy with nuclear weapons. We've had them from the beginning. But they have also been critical for keeping the world more at peace than it would have been if it hadn't been for the American nuclear umbrella.
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