A Quote by Rumaan Alam

Children's literature - the product of adult guesswork - often fails to account for its audience's slippery grasp on the world. — © Rumaan Alam
Children's literature - the product of adult guesswork - often fails to account for its audience's slippery grasp on the world.
Children's books are often seen as the poor relation of literature. But children are just as demanding as adult readers, if not more so. I should know. I'm a children's writer myself.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
There is a very big difference between writing for children and writing for young adults. The first thing I would say is that 'Young Adult' does not mean 'Older Children', it really does mean young but adult, and the category should be seen as a subset of adult literature, not of children's books.
I'm kind of a reluctant Anglophile. My mother's a children's librarian, and all of the children's literature I read was from her childhood - E. Nesbit and Dickens, which isn't children's literature at all, but I was sort of steeped in English literature. I thought I was of that world.
What's interesting to me is how many vampire/urban fantasy authors are writing young adult series as well, often set in the same world as their adult books, but focused on a younger audience.
I have a passion for children's literature. Young adult literature. I love it. I've always loved it.
In some ways, getting published in children's literature is a little more open than publishing adult literature. It's less hinged on who you might know.
No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again.
I love how much love there is in the world of young adult and children's literature.
Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature.
Good children's literature appeals not only to the child in the adult, but to the adult in the child.
Nine out of ten adult Americans have a checking account. It's the most widely used financial services product in the United States.
I think my primary audience is in some sense an adult audience, because I think that will then have a knock-on effect for children.
It's not that a literature for children of color doesn't exist; it's that so much of the extant literature is lacking in the essential quality that makes literature for children so extraordinary a form: imagination.
Anything can become a children's book if you give it to a child...Children are actually the best (and worst) audience for literature because they have no patience with pretence.
I suspect that authors who start their careers writing for an adult audience - and who eventually produce a young adult novel or two - are more common than authors who begin by writing for young adults and who then gravitate toward composing something for an adult audience.
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