A Quote by Rumer Godden

Of course one never knows in draft if it's going to turn out, even with my age and experience. — © Rumer Godden
Of course one never knows in draft if it's going to turn out, even with my age and experience.
I've realized that with each novel I seem to set out a kind of puzzle for myself. And I am never sure in the process of writing a first draft how it's all going to turn out.
On draft day, I wasn't really nervous at all. Then you turn on the draft, the first five picks go by, and then you still thinking, 'Oh man, I don't know where I'm going to go.' It's really just, by the time draft hits, that's when you get nervous.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Everyone knows with a rookie, you're going to take lumps. Even with a first-, second-, third-year guy, you're going to take lumps until you gain that experience. But for me, it was nice to get out there and get the experience and do it. I'm a guy that has to do it.
The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.
Anybody that makes films knows the film is never finished. It's abandoned or it's ripped out of your hands, and it's thrown into the marketplace, never finished. It's a very rare experience where you find a filmmaker who says, "That's exactly what I wanted. I got everything I needed. I made it just perfect. I'm going to put it out there."
In an active life is sown the seed of wisdom; but he who reflects not, never reaps; has no harvest from it, but carries the burden of age without the wages of experience; nor knows himself old, but from his infirmities, the parish register, and the contempt of mankind. And age, if it has not esteem, has nothing.
One never knows how a bout is going to pan out and even in last 2-3 seconds things can change.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
You never know how things are going to turn out in a movie. You can imagine a scene one way, and it can turn out to be completely the polar opposite of what you expected. You just have to roll with the punches.
I write until the first draft is finished, and then I feel that I can get out. But, during the time of the writing of the first draft, I don't go out. I'm just locked away, writing. It's a time of meditation, of going into the story.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
I’m prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.
I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.
People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.
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