A Quote by Rumer Godden

For an author nothing is as dead as a book once it is written. — © Rumer Godden
For an author nothing is as dead as a book once it is written.
For a dyed-in-the-wool author nothing is as dead as a book once it is written. ... She is rather like a cat whose kittens have grown up.
I have the same fantasy every time I read a book I love, no matter who wrote it, no matter when it was written. That the author has written his book only for me.
My favorite is 'The Last Coyote.' I'm not saying that's the best book I've written; I hope I haven't written my best book yet, but that one was the first book I wrote as a full-time author, with my full-time focus. I have a nostalgic feeling about it.
As an author, one of the most important things I think you can do once you've written a novel is step back. When the book is out, it belongs to the readers and you can't stand there breathing over their shoulders.
Young adult author Richelle Mead holds the distinction to perhaps be the only author ever to have a book banned... before it was even written.
Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.
"The best is oftentimes the enemy of the good;" and without claiming for an instant that title of good for my book, I do not doubt that many a good book has remained unwritten, or, perhaps, being written, has remained unpublished, because there floated before the mind's eye of the author, or possible author, the ideal of a better or a best, which has put him out of all conceit with his good.
Written language must be considered as a particular psychic reality. The book is permanent; it is an object in your field of vision. It speaks to you with a monotonous authority which even its author would not have. You are fairly obliged to read what is written.
The Book of Mormon was written for us today. God is the author of the book. It is a record of a fallen people, compiled by inspired men for our blessing today. Those people never had the book. It was meant for us.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
Napoleon: You have written this huge book on the system of the world without once mentioning the author of the universe. Laplace: Sire, I had no need of that hypothesis. Later when told by Napoleon about the incident, Lagrange commented: Ah, but that is a fine hypothesis. It explains so many things.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
Adapting a book is essentially a collaboration, whether the author is alive or dead.
The book written against fame and learning has the author's name on the title-page.
Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.
Hollywood would much prefer the author be dead, so that they can buy the book and do what they want to do with it.
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