A Quote by Rumi

I belong to the beloved. Have seen the two worlds as one and that one call to and know. ...First, Last, Outer, Inner, only that breath breathing. HUMAN BEING. — © Rumi
I belong to the beloved. Have seen the two worlds as one and that one call to and know. ...First, Last, Outer, Inner, only that breath breathing. HUMAN BEING.
Not Christian or Jew or Muslim, not Hindu, Buddhist, sufi, or zen. Not any religion or cultural system. I am not from the East or the West, not out of the ocean or up from the ground, not natural or ethereal, not composed of elements at all. I do not exist, am not an entity in this world or the next, did not descend from Adam or Eve or any origin story. My place is placeless, a trace of the traceless. Neither body or soul. I belong to the beloved, have seen the two worlds as one and that one call to and know, first, last, outer, inner, only that breath breathing human being.
My place is the Placeless, my trace is the Traceless ; 'Tis neither body nor soul, for I belong to the soul of the Beloved. I have put duality away, I have seen that the two worlds are one; One I seek, One I know, One I see, One I call.
In fact everything can become a sort of meditation, because in everything there are two dimensions - just as there are in the first breath: the outer and the inner.
The inner world is the world of your requirements and your energies and your structure and your possibilities that meets the outer world. And the outer world is the field of your incarnation. That’s where you are. You’ve got to keep both going. As Novalis said, ‘The seat of the soul is there where the inner and outer worlds meet.
Being aware of your breath forces you into the present moment - the key to all inner transformation. Whenever you are conscious of the breath, you are absolutely present. You may also notice that you cannot think and be aware of your breathing. Conscious breathing stops your mind.
Photography is an investigation of both the outer and the inner worlds. The first experiences with the camera involve looking at the world beyond the lens, trusting the instrument will 'capture' something 'seen.' The terms shoot and take are not accidental; they represent an attitude of conquest and appropriation. Only when the photographer grows into perception and creative impulse does the term make define a condition of empathy between the external and the internal events.
As instruments for knowing the objects, the sense organs are outside, and so they are called outer senses; and the mind is called the inner sense because it is inside. But the distinction between inner and outer is only with reference to the body; in truth, there is neither inner nor outer. The mind's nature is to remain pure like ether.
Lasting social change unfolds from inside out: from the inner to the outer being, from inner to outer realities.
A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?
We all have two lives: an inner life and an outer life. Your inner life is your soul life, which includes your mind, will and emotions. Your outer life is your physical life. And while God cares about every detail of your life, He is more concerned with your inner life than your outer life.
All this knowledge of the objective world is of no value in comparison to having a little glimpse of the inner sky and its beauty - its sunrises and sunsets, its days and nights, its blue sky and its stars. The outer then looks only a pale reflection of the inner. The inner becomes more real and the outer becomes just a shadow.
Our African ancestors were the first to engage in breathing. By that logic, I think by breathing today, we are engaging in cultural appropriation of the first Homo sapiens. And so the only way I will ask you to stop being racist is to suffocate - to stop breathing.
Children have two visions, the inner and the outer. Of the two the inner vision is brighter.
On this narrow planet, we have only the choice between two unknown worlds. One of them tempts us - ah! what a dream, to live in that! - the other stifles us at the first breath.
When you haven't found inner meaning, you will always substitute outer performance. It's the only way to fill that void, that sense of significance - that I am significant. So almost the degree of outer performance can, in many cases, mirror the lack of inner alignment.
Photography, to me, is the dewdrop that reflects my inner and outer worlds simultaneously.
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