A Quote by Rumi
Some huge work goes on growing. How could one person´s words matter?
Where you walk heads pop from the ground. What is one seed head compared to you?
On my death day I´ll know the answer. I have cleared this house,
so that your work can, when it comes, fill every room.
I slide like an empty boat pulled over the water.
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Intentions are a lot like seeds. You shove them into the ground, and every once in awhile, you water them. Largely, the seed does most of the work on its own. If, on one hand, you were digging the seed up several times a day to see what progress was being made, the seed would not take purchase in the soil. On the other hand, if you completely ignored it, giving no water or nourishment to the soil, the seed might not thrive.
If you took every tear cried by everyone on earth on one single day and put them in a container, how big would that container need to be? Could you fill a water tower? Three water towers? It's one of those unknowable things. There has to be an answer, but we'll never know what it is.
The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
There was no protection, no quota system when it came to luck. It was like that moment in math when a child learns that the odds of heads or tails is always one-in-two, no matter how many times one has flipped the coin and gotten heads. Every flip, the odds are the same. Every day, you could be unlucky all over again.
A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, "Simba!
So okay - there you are in your room with the shade down and the door shut and the plug pulled out of the base of the telephone. You've blown up your TV and committed yourself to a thousand words a day, come hell or high water. Now comes the big question: What are you going to write about? And the equally big answer: Anything you damn well want.
Study hard. Understand not only the questions, but the questioner. Know how best to articulate the answers, but do it with humility, because ultimately the answer is in a person, the person of Christ, not in an argument. So, do your work and know how to present the answer, but do it with gentleness and meekness.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
I wish I could walk into a room and feel superior and have my nose up at everybody, but I can't, because I know I'm just a huge nerd, and that wouldn't work for me.
When you put a seed in the ground, it doesn't stop growing after eight hours. It keeps going every minute that it's in the earth. We, too, need to keep growing every moment of every day that we are on this earth.
With hand on the spade and heart in the sky Dress the ground and till it; Turn in the little seed, brown and dry, Turn out the golden millet. Work, and your house shall be duly fed: Work, and rest shall be won; I hold that a man had better be dead Than alive when his work is done.
I generally work out every day. If I'm at work, between takes I'll do push-ups and an ab routine. I'm there for anywhere from 10 to 16 hours a day, so sometimes I can't work out at my house. I will do sit-ups on the stairs, I work out in the interrogation room. It gets the blood going, and it keeps you up.
When you work hard all day with your head and know you must work again the next day what else can change your ideas and make them run on a different plane like whisky?
You were ambitious - for your life, what it was like when you woke up in the morning, and not for some attainment. Like most people who did not answer a particular calling from an early age, you placed work beside yourself; any occupation would fill up your day but not your heart. I liked that about you. I liked it enormously.
You're always becoming; you've never arrived. And I use that day by day just for me to work hard each and every day, and know that no matter how good I worked out today, no matter how good I thought I was today, I can always get better and always be a better person.
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