A Quote by Rumi

The meaning of poetry has no sureness of direction; is like the sling, it is not under control. — © Rumi
The meaning of poetry has no sureness of direction; is like the sling, it is not under control.
The sling is to a rifle what the holster is to a pistol. If you have a sling, chances are you will keep the rifle with you. If there is no sling present, you will set the rifle down. When you are at the absolutely farthest point away from the rifle that you can possibly get, you'll need it.
I have lived in the monster and I know its insides; and my sling is the sling of David.
The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.
The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone.
I see myself as a man who is searching for meaning in life. This is rather different from being a staunch believer in something. A believer is someone who senses a consciousness or a direction and believes in it. The one who searches for meaning has not found the direction yet.
Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers.
Prose exists to convey meaning, and no meaning such as prose conveys can be expressed as well in poetry. That's not poetry's purpose.
Life in itself has no meaning. Life is an opportunity to create meaning. Meaning has not to be discovered; it has to be created. You will find meaning only if you create it. It is not lying there somewhere behind the bushes, so you can go and you search a little bit and find it. It is not there like a rock that you will find. It is a poetry to be composed, it is a song to be sung, it is a dance to be danced.
There's a sureness to good writing even when what's being written about doesn't make all that much sense. It's the sureness of the so-called seat of an accomplished horseback rider or a sailor coming about in a strong wind. The words have both muscle and grace, familiarity and surprise.
The use of self control is like the use of brakes on train. It is useful when you find yourself in wrong direction but merely harmful when the direction is right
Religion is (a) a pre-scientific system of explanation and technology; (b) a source of meaning, direction and emotional expression in life; (c) a means of social control; (d) a means of coping with uncertainty and death.
I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.
I feel like I veer more away from technology than toward it. I'm a little scared of the direction we're going, to be honest. It feels like a sci-fi novel from the '50s, the way we can control everything and the solitude we each have in our own little bubbles, and yet we feel like we have social interactions. We're moving in a weird direction, at least.
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
Contemporary poetry ... tries to transform the sign back into meaning: its ideal, ultimately, would be to reach not the meaning of words, but the meaning of things themselves. This is why it clouds the language, increases as much as it can the abstractness of the concept and the arbitrariness of the sign and stretches to the limit the link between signifier and signified.
Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.
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