A Quote by Rumi
We've given up making a living, its all this crazy love poetry now!
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Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.
It really takes growing up to treasure the specialness of being different. Now I understand that I've gotten to enjoy things that others have not, whether it's the laughter, the poetry of my Spanish language - I love Spanish poetry, because my grandmother loved it - our food, our music. Everything about my culture has given me enormous education and joy.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
Is it crazy right now to say I love you?” She didn’t even pause. “Given that I just stabbed you? Seems a little weird, yeah.
I love making music, I love composing on my computer, just making crazy ethnic slack orchestral tracks, that's one of my fun things.
I was deeply moved by Richard Blanco's reading of his inaugural poem-a timely and elegant tribute to the great diversity of American experience. And now comes this fine meditation on his experience of coming to poetry, of making the poem and the months surrounding its making-a testament to the strength and significance of poetry in American culture, something not always seen or easily measured. Today Is For All of Us, One Today is a necessary intervention into the ongoing conversation about the role of poetry in public life.
The trouble with going crazy is that you have to go around making it up to everyone afterwards. It seems they should be making something up to you.
Living is having and following a purpose. That's all. That's the formula of life-have and follow a purpose. That's it. If you do it, you're living and if you don't do it, you're not living.
And that's all there is to it. I've now given you the basic fundamental of existence and that really is it.
I modeled a little bit in Georgia growing up. I did catalogs and different things, but then when I came to L.A., I became a professional model. It sounds kind of crazy, but in L.A. was when I was able to start making a living from modeling.
This time, we're living in such a crazy moment in history. People still write and talk about Watergate, which was such a huge, looming backdrop when I was coming of age and when I was a kid growing up. I think we're living in one of those times right now where, in 20 years, people will be writing and talking about it.
Love is an irrational force, making humans do all sorts of strange and wonderful things like write poetry and take up the ukulele.
To different minds, poetry may present different phases. To me, the reverent faith of the people I lived among, and their faithful everyday living, was poetry; blossoms and trees and blue shies were poetry. God himself was poetry.
All the fabulous and fearless writers gathered here, whether they are living in Manila, the US, or elsewhere in the ever-growing Philippine diaspora, have a deep connection and abiding love for this crazy-making, intoxicating city. There's nothing like it in the world, and they know it.
What are you up to now?" "I'm sill crazy. The rain feels good. I love to walk in it.
I love kids that come to shows, little kids coming up to you with braces; like, some kid came up to me in a parking lot outside a show in Santa Cruz - he was about 14 or 15 - and he said, 'Y'know, I love 'The Basketball Diaries,' but I hope your next book of poetry isn't gonna be as academic as 'Living at the Movies' was.'
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