A Quote by Rumi Neely

It sounds insane, I know, but I think that - I'm so lucky because I basically am my own muse. — © Rumi Neely
It sounds insane, I know, but I think that - I'm so lucky because I basically am my own muse.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
I am my own muse, the subject I know best.
I would love to be friends with Kendrick Lamar because I am just a huge fan of his music, I think he is so cool and he uses so many interesting sounds and has such good melodies and is just a beautiful rapper, his raps are just so well-written and his tracks are so insane, I am obsessed with him.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
I am my own muse. I am the subject I know best. The subject I want to better.
I don't really think of my essays as being about myself. I know it sounds insane, but I just don't think of them as a memoir. They're essays; they're not an autobiography.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I'm really lucky because my mom is a good beauty muse.
I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.
My conceptual framework, which basically emphasizes the importance of misconceptions, makes me extremely critical of my own decisions. I know that I am bound to be wrong, and therefore am more likely to correct my own mistakes.
Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
I basically work all day on 'Soulmates' and then all night on Zoom on 'Ted Lasso,' and I can't complain because I appreciate how absolutely insanely lucky I am.
It's a city of its own and has its own sound. I think what makes it different is the drama; you know how they say everyone marches to their own beat? Well, I think Philly has its own beat as well, and it's distinctive. It sounds easy, but it's hard to play.
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